Researchers

Emma WIlliams
historically informed performance, 19th century, violin, voice
DÁNIEL PÉTER BIRÓ
composition, music aesthetics, Music analysis, Musical Cultures, Music philosophy, computer music, musicology, Judaic Studies, Spinoza, philosophy
Thalia Hoffman
Video art, video performance, performance, politics, political aesthetics, politics of memory, phenomenology, embodiment, Sense
Mariske Broeckmeyer
music aesthetics, Migraine, Aesthetics of Failure, vocality
Mauricio Carrasco
artistic research, embodiment, performance, qualitative research methods, transdiciplinarity
Csaba Hajnóczy
acoustic ecology, sound, soundscape, sound art
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
Maarika Autio
music, global music, artistic research, balafon, cultural appropriation, artistic identity, african tradition, affordances, kora, africa
Lars Kristian Røssell Takeuchi Kynde
Microtonality, Perception and Consciousness, synaesthesia, instrument design, Post-digital., composition, Music Notation, sense perception
Katelyn Rose King
co-creation, experimental systems, new music performance, new music theater, percussion performance, electroacoustic music, collaborative processes