Cecilia Lagerström
performance with a focus on site-creating and site-critical activities, physical performance training connected to directing and dramaturgy, decolonial aspects on place and body, walking art, performative writing
Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Joanne Scott
live media performance, intermediality, audio-visual, Practice-as-research, Practice Research, more than human, eco-art, ecology, artistic research, soundwalk, soundscape
CAT HOPE
Animated Music Notation, Experimental music, composition as research, Music Performance
Shauna Janssen
SITE-SPECIFIC ART, spatial dramaturgy, cities, environmental performance, urban scenography, critical spatial practices, design activism, spatial justice, urban agonisms
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Alexandra Toland
urban ecology, multispecies urbanism, soil studies, site-specificity, air, environmental humanities, compost, relationality
JULIE MARSH
Site-specific, space, moving image, site, site-integrity, representation, performance
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Jahrmann Margarete
game studies, artwork, artistic epistemology, digital art, neuroscience, activism