Researchers
Misha Penton 
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Einar Røttingen 
Music Performance, performance practice, musical expression, relation composer - performer, contemporary music, 2oth century music, notation, performers analysis, articulation, sound production, metaphors
Dion Star 
process, process oriented practices, writing, material writing practices, film, trialogue, gestures, gesture, art, oulipo, flusser, pseudo writing
Monica Clare van der Haagen-Wulff 
Postcolonial Studies, Critical Race Theory, Gender and Queer Studies, Migration, Intersectionality, Postcolonial/Decolonial Feminist Theories and Methodologies, Globalisation, Global Cities, Affect Theories, Performance Studies, Theories of Embodiement, Fictocritical Writing, Critical Heritage und Historical Memory Studies.
Saman Samadi 
composition, ethnomusicology, experimental music, persian music, poststructural theory, music notation, aesthetic of modernism and postmodernism, performance practice of new music, music and identity, conceptual history, continental philosophy, deleuze, complexity, linguistics, semiotics
Beate Körner 
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Gareth Somers 
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Fulya Uçanok 
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
