Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Bella Merlin
acting, Shakespeare, Directing, verbatim, song-writing
Emmi Kujanpää
Folk singing, art-based research, transnationalism, Gender and Music, politics, Balkans, Folklore Studies, ethnomusicology, Finno-Karelian folk singing, Bulgarian folk singing, intersectional feminism, artivism, feminist art, composing, pedagogical research
Constantinos Miltiadis
architecture, virtual environments, real-time interaction, spatiotemporal environments, Spatial Audio, philosophy, game studies, virtual reality
Katrin Ackerl Konstantin
performance, transdiciplinarity, theater, artistic research, psychology, queer theory, Gender studies
Greg Bruce
artistic research, electroacoustic music, improvisation, classical performance practice, saxophone, Augmented Instruments, analogue electronics, analogue vs digital, research-creation
Linn Henriksson Strååt
Devising, scenography, costume design, devising theatre, Deleuze, phenomenlogy, New Materialism, carnal aesthetics
Ryan Evans
Participatory Art, Socially Engaged Art, Community Art, Sound Art, Disability Aesthetics
Anna Nygren
Language, Language of things, posthumanism, Literature, Poetic Research, horses, autism, materiality