Marsha Bradfield
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Fiona MacDonald
art, artistic research, posthumanism, intra-action, animals, plants, ecology
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Constantinos Miltiadis
architecture, virtual environments, real-time interaction, spatiotemporal environments, Spatial Audio, philosophy, game studies, virtual reality
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Claus Schöning
representational theories, life sciences, policy design, non-human, Nonrepresentational Theory
Estefanía Díaz Ramos
Soundart, Audiovisual, Cultural Studies, Sociology, creative writing, communication, community based art work
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening