Researchers

Thomas Ballhausen
text, Literature, Film studies, textualism, science fiction, philosophy
Paulina Brelińska
artistic research, Chinese art, Polish art, Generation Y
Dora Isleifsdottir
Metadesign, Metamodernism, Design research, Design, Semiotics of type, typography, Branding, visual communication, visual language, asemic writing, design thinking, editorial design, book-making, visual identity, visual intelligence, publishing
Dawn Woolley
consumer culture, feminism, self-portraiture, still life, marxism
Andreas Borregaard
music, accordion, performance
Linnea Bågander
fashion practice research, fashion design, motion design, Motion capturing, materiality, materialization, New Materialism, costume design, methods
Monica Clare van der Haagen-Wulff
Postcolonial Studies, Critical Race Theory, Gender and Queer Studies, Migration, Intersectionality, Postcolonial/Decolonial Feminist Theories and Methodologies, Globalisation, Global Cities, Affect Theories, Performance Studies, Theories of Embodiement, Fictocritical Writing, Critical Heritage und Historical Memory Studies.
Jordan Sand
double bass, improvisation, composition, process-based, penguin, Music philosophy, nomadism, breathing, voice, organ, hymn, violin, Collaborative Space
Kjell Are Refsvik
prototyping, design methods, design didactics
Ramon Parramon
art, social space, Peripheral Spaces and Voices
Kenneth Odden
interaction design, graphic design
Pedro Neto
Photography, documentary, architecture, artistic processes, archive, imaging
Liesel Dom
performance; landscape; video; sound; installation, Information and communication, Socio-political activism, Internet, digital art, propaganda, philosophy as art, Documentary experimental, Myths, Belief
Joanna Warsza
Public sphere, politics, activism, performativity, curatorial, feminism, politics of memory, Eastern Europe
Johannes Rydinger
virtual reality, documentary, immersive installation
Alexandra Corcode
PHOTOGRAPHY
Tony Rabesca
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM
Diana Ferro
poetry, improvisational scores, collective research in arts, Writing as artistic research, pedagogical research, self-publishing, painting-as-discourse, material based art