Researchers

Remco Roes
artistic research, dialogue, visual essay, space
Karst de Jong
Music Theory, Improvisation, Harmony, Analysis, Composition, (collaborative) Creation
Matthias Heyman
jazz, popular music, improvisation, jazz history, Jazz Studies, HIP, historically informed performance, artistic research, bass, double bass
Albert Cheng-Syun Tang
Design, Critical practice, Critical speculative design, information technology, Human-machine-Interaction, creative computing, Politics of design, interaction design, graphic design, visual communication, philosophy, artificial intelligence, democracy
Olof Halldin
Artistic Research
Elisa De Toffol
vocality, performance, singing
Evi Jägle
Deleuze, art, post-structuralism, film-philosophy, performance philosophy, Foucault, philosophy as art, Philosophy On Stage
Johannes Maria Schmit
Regie-Theater (Directors’ theater), Consent, Actor, Director, Postdramatic Theater // Transference, Regie-Theater, actor training, transference, psychoanalysis, consent
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Jan Georg J.G. Glöckner
Artistic Biotechnology
Lorena Croceri
performativity, innovation, sexuality, liminality, transdisciplinary studies, Performance studies, mentoring, Entrepreneurship, eroticism, project management
Adolfo Ruiz
practice-based research, animation, community based art work, participatory design, artistic research, indigenous knowledge
Martin Lang
Painting, post-truth, art and politics, Ethical Criticism of Art, Investigative art, Philosophy of Art, aesthetics
Jesse Todd
Creative Writing, Performative Writing, Theatre, Theatre play, play devising, playwriting, ruins, Wanderer, travel, anthropoetics, Mythology, sound art, Storytelling
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme