Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Arild Berg
Action Research, Contemporary art, participation, participatory design, digital production techniques, participatory democracy, ceramics, digital production culture
Cheryl Akner Koler
haptic, aesthetic abstractions, creative collaboration, cross-disciplinary, intradisciplinary, applied aesthetics, sensitizing labs
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Eric Souther
Code, toolmaking, new media art, New Materialism
Renee Charron
drawing, architecture, performance, process philosophy
Guy Livingston
silence, absence, music aesthetics, urbanism, Luwteplekken
Jamie Philbert
phenomonology, performance, martial arts, african cosmologies, african diaspora, Caribbean, Poetics of relation, poetics of knowledge, Embodied knowledge, embodied methodology, extrasomatic embodiment, Black Atlantic, futurism, Black Atlantic futurism
Tuomas Rounakari
Artistic research, Myths, mythologies, Altered states of consiousness, more-than-human, indigenous knowledge, Arctic art, community engagement, trance, transcendence, transdiciplinarity, mythical dialogue, bear feast ceremony, bear myths