Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Anders-Petter Andersson
music, interactive art, interactive sound and music, multi-sensory environments, Tangible Interaction, sensorial interaction, Media Arts, relational aesthetics, Health
Paola Tine
Visual Anthropology, Semiotics, Social Anthropology, Phenomenology
JULIE MARSH
Site-specific, space, moving image, site, site-integrity, representation, performance
Jordan Sand
double bass, improvisation, composition, process-based, penguin, Music philosophy, nomadism, breathing, voice, organ, hymn, violin, Collaborative Space
Marica Totoquihuatzin
performance, art process, art practice, art theory, theory in performing, Gender studies, love
Andy Hoff
Climate Activism, arts-based research, posthumanism, Media Arts, speculative fiction, transmedia, Visual Culture, graphic novel, Practice-as-research
Liza Lim
Music Composition, ecology, time, Anthropocene
Alan O'Leary
video essays, Videographic criticism, epistemology, film production teaching
Jehanne Paternostre
Contemporary art, drawing, History, Archeology, memory, monument, trace, restoration, multidisciplinary, in situ experience
Diana Ferro
poetry, improvisational scores, collective research in arts, Writing as artistic research, pedagogical research, self-publishing, painting-as-discourse, material based art
Sally Emke
fear, craft, cuteness, humor, comics, judaism