Researchers

Ilya Ziblat Shay
improvisation, free improvisation, composition, live electronics
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Emma WIlliams
historically informed performance, 19th century, violin, voice
Tor Einar Bekken
music, improvisation
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Jasmin Schaitl
performance, visual art, participatory arts, memory, haptics, installation
Camilla Carlsen
Design Thinking, Human-machine-Interaction, User Experience, User Interface, psychology
Dániel Máté
home, design, ideology, Semiotics, nationalism, modernity
derek pigrum
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research
Antonia Aitken
walking as practice, decolonisation, performance drawing, practice based research, drawing research, critical place theory
Tereza Reichová
roleplay, safe environment, psychosomatics, embodied learning, gestalt, pedagogical research, embodiment, constellations, documentary film, comic