Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Christoph Weber
Technosphere, Socio-ecological Transformation, degrowth, climate crisis, New Materialism, Agential realism, Concrete, posthumanism, social metabolism, deep time, intra-action, Sculpture, Photography
Jakub Jan Ceglarz
Layers, art, queer theory, Foucault, performance; landscape; video; sound; installation, Golding, Palimpsest, continental philosophy
Catherine McKinnon
narrative, Climate Change, collaboration, fragmented narratives, future, feminism, creative practice, creative ecologies, creative writing, creative process, violence, unreliable narratives, braided narratives
András Blazsek
Environment, Soundart, Soundscapes, media archeology, Sound Archeology, sound architecture, Data Sonification, Scupture
Dániel Máté
home, design, ideology, Semiotics, nationalism, modernity
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Jamie Philbert
phenomonology, performance, martial arts, african cosmologies, african diaspora, Caribbean, Poetics of relation, poetics of knowledge, Embodied knowledge, embodied methodology, extrasomatic embodiment, Black Atlantic, futurism, Black Atlantic futurism
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy