Researchers
David Gorton 
composition, artistic research, contemporary music, Early music, collaboration, Performance analysis, co-creation, experimentation, Practice Research, subjectivity
Benedict Olk 
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Alicia Champlin 
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Fulya Uçanok 
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Nele Möller 
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Lizzie Lloyd 
art writing, documentation, Association, Resonances, embodied writing, socially engaged art, writing in practice
Joanna Staruch-Smolec 
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Célia Ferreira 
educação através da arte, arte têxtil, artesanato, artivismo e património, educational action research, weaving, Craft, art education, artivism, heritage
