Researchers
Misha Penton 
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Sage Canellis 
Photographic Re-narration, Ancestors, Healing Arts, Collage, Transgenerational Theory, Memory, Trauma, Shamanism, Psychology, Tarot
Julieanna Preston 
live art, spatial design, performance writing, new materialism, sound art, aurality
Marie-Andrée Robitaille 
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Francisco Beltrame Trento 
neurodiversity, queer theory, Film-making, post-qualitative inquiry, neuroqueerness, artistic research, anarchive, research-creation, kinship
Joonas Lahtinen 
performance, live art, installation, participation, artist pedagogy, HEI pedagogy, public space, spatial politics, spatial analysis, epistemology, perception, politics of the body, performativity, continental philosophy, politics of architecture, mundane, text, forms and formats of research dialogue, institution, academia
Pedro Pablo Cámara Toldos 
contemporary music, interdisciplinary performance, saxophone, extended techniques, concert setting
Ilpo Jauhiainen 
Complexity, ecology, emergence, Environment, generative music, sound, soundscape, sound art, AI, Societal Challenges
Olivia Penrose Punnett 
alternative knowledge, TechnologyCulture, feminism, intuition, female gaze, magical thinking, Decolonizing methodologies
Stuart Slater 
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme
