Albert Cheng-Syun Tang
Design, Critical practice, Critical speculative design, information technology, Human-machine-Interaction, creative computing, Politics of design, interaction design, graphic design, visual communication, philosophy, artificial intelligence, democracy
Daniel Hug
sound, sound studies, Sound Design, Design research, participatory design
walmeri ribeiro
performance as research; proceedings; documentation; practice as research;, ecology of practices
Nayeli Vazquez Bertely
choreography and performance, dance, choreographic thinking, Dance education, embodiment
Francisca Skoogh
performance, western classical music, artistic research, psychology
Theodore Parker
Improvisation, electroacoustic music, site specific artwork
Petra van Aken
Performance in public space, Workshop, Embodied knowledge, Body based art, Body of the Performer, inter acctment, spatial perception and cognition
Melissa Ryke
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Rut Karin Zettergren
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory