Udo Maria Fon
perception, cognition, field of perception, rooms of perception, information rush, digitality, poetry, data entity, dada, dataism, social entropy, social resonance, metacognition
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Rachael Jones
experimental filmmaking tools, material methods, arts-based research, participation in filmmaking, sensuous knowledge, materialist filmmaking
Gareth Somers
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Kobe Van Cauwenberghe
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Anja Plonka
somatics, gaia, trauma healing, ecology, ecological trauma, Water, scores, perfomance for camera
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology