Researchers

Arild Berg
Action Research, Contemporary art, participation, participatory design, digital production techniques, participatory democracy, ceramics, digital production culture
Flick Harrison
community-engaged art, Video art, online video, political film, Media Arts, activism
Gerriet K. Sharma
Spatial Aesthetics in Sound, Sound Art Sound-Space, performance
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Klas G Dykhoff
Sound as a narrative tool
Richard Meeuws
art, artwork, art theory, art education, Metamodernism
Charles Baumstark
composition, composition process, composition tools, composition technique
Theodore Parker
Improvisation, electroacoustic music, site specific artwork
E Stifjell
music, composition, loudspeaker technology
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Håkon Sandmo Karlsen
PHOTOGRAPHY, VIDEO, sound, music
Olof Misgeld
music, folk music, dance, improvisation, traditional music, tradition, music theory, Music analysis
W. Walker
Art, performance, public art, deconstruction, dance, acting, performance; re-enactment; landspace; site; environment;, masquerade, african cosmologies, Caribbean, carnival
Åsmund Soldal
traditional music, drumming
Lars Kristian Røssell Takeuchi Kynde
Microtonality, Perception and Consciousness, synaesthesia, instrument design, Post-digital., composition, Music Notation, sense perception
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Chiara Mu
performance art, visual art, intersectionality, Memory culture, embodied methodology, embodiment, risk, Care ethics, relational aesthetics
Eleonora Gasparini
unlearning, performative practice, participatory arts