Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Tatjana Macic
artistic processes, writing, theory, performance, institutional critique, education, laguage
Hanns Holger Rutz
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Tom Milnes
error, media archaeology, 3D scanning, artistic research, online cultures, post-digital, post-internet
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time