Hélène MUTTER
War, Conflict Zones, research-creation, world, Social science, geopolitics, visual art, education, PHOTOGRAPHY, archive, memory
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Dumond Camille
artistic research, art, artschools, switzerland research community
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Jakub Jan Ceglarz
Layers, art, queer theory, Foucault, performance; landscape; video; sound; installation, Golding, Palimpsest, continental philosophy
Bob Wijnen
jazz, piano, piano practice, organ, Hammond organ
Harry Matthews
composition, artistic research, Noise, Soundscapes, field recording, trespass
Anne Hytta
artistic research, traditional music, Practice-as-research
P d Andrea
pubblic art, organic material, community art, plants based art, shadow and light, editorial and research, visual art, care dare share, visual culture
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme
Lenka Stepankova
artistic identity, depresentation, infrastructures of solidarity, post-studio, portraits, relational filmmaking, studio space