Hanns Holger Rutz
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Tom Blancarte
double bass, improvisation, Actor network theory, translation, Language, AI, second-order systems, game studies, game-pieces, role-play, RPGs, metroidvania, platformers
Hermans Carolien
play;, dance improvisation, enactive cognition, participatory-sense making, affects, touch, transformation, inter corporality
Zoe Sadokierski
book design, ecological ethics, graphic design, Literature, VISUAL CULTURE, visualisation, paratext, visual communication, visual communication design, publishing, documentation, process oriented practices, critical practice
Nikolaus Eckhard
capitalocene, futures, materiality, collaboration, socio-ecological transformation, soil
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Thilde Dalager
experimental animation., authorial illustration, abjection, interdisciplinarity, the gaze, Julia Kristeva
Isabel Frey
ethnomusicology, Jewish Music, folk music, nationalism, yiddish, voice studies, sound studies, gender, minorities, diaspora, activism
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios