Julian Klein
artistic mode, practice and theory of playing, mise en musique, neuroaesthetics, emotionology, sonification, historical investigation
Rafal Hanzl
filmmaking, digital art, creativity, creativity process, film development, pre-production, previsualization, virtual reality, visual art, VFX, visuals, visual effects, storyline, emotional communication, compositing, HDRI, new media art, new technologies, postmodernism, film, contemporary media, conceptual art, digital imaging, storytelling, new media, computer-generated imagery
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Maarten Vanden Eynde
Art, Archaeology, Geology, Science and Technology Studies, Science Fiction, Future Studies, colonization, colonial memory, natural resources, natural science, natural history museum, museology, technology, biomimicry, genetics, genealogy, genetic engineering
Marica Totoquihuatzin
performance, art process, art practice, art theory, theory in performing, Gender studies, love
Safa Tharib
emergent storytelling, 3D, narratology, digital arts
Jessica Renfro
Participation, socially engaged art, new media art, practice-based research, digitality
Karen Werner
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Antoine Chessex
Sound Studies, sound art, artistic research, Cultural Studies, transdiciplinarity