Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Nathalie S. Fari
site-specific performance, performance documentation, video performance, performed photography, filmmaking, embodiment, agency
Xavier Mendik
Representations in cult and horror cinema, Images of terrorism in cult film traditions, Documentary film practices, Italian cinema and society, Culture and conflict in Canadian film
Fu Tian
rap music, new music, contemporary music
Elina Akselrud
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
Tony Rabesca
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM
Fabian Faylona
Spatial Practice, ecology, post-colonial, phenomenology, interdisciplinary, artistic research
Celeste Pedro
information visualisation, visual rethoric, medieval diagrams
Xiaoou Ji
Artistic research, Philosophy of technology, Critical-experimental game design, Installation Art, Meaningful play
Joshua Dyson
Multichannel Audio, Sound Studies, Fine Art, Media, Installation