Researchers
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Michael Duch 
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
andy lock 
Silence, performance, absence, site-writing, institutional silence, the body, situated writing, familial silence, artistic writing, embodied, site, radio
Jamie Savan 
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
John Cussans 
science fiction, anthropology, artistic reasearch, art theory, critical theory, social psychology, Haiti, Vodou, decolonialism, horror, alterity, psychoanalysis, British Columbia, Northwest Coast First Nations, surrealism, diagrams, Ghetto Biennale, colonialism
Helen Scarlett O'Neill 
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Eduardo Gaspar Polo Baader 
Early music, crossmodal correspondences, new music, contemporary music, traverso, french baroque, interdisciplinarity, transdiciplinarity
Helene Waage 
Music and health, Music and relations, Music and dementia, Music Performance, Folk music, Posthumanism, Posthuman methodology
Moch Hasrul Indrabakti 
pedagogy, Pedagogy of change, Pedagogical materials; educational material; play, Media Arts, methodology, methods, collective research in arts, design=art=research, research proposal, Recycling materials, plastic, Contemporary art, teaching artist, technology, teaching method
