Researchers
Geir Harald Samuelsen 
Painting, Archaeology, mountain climbing, PHOTOGRAPHY, writing, drawing, haptic visuality
Jonathan Reus 
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Simon Gilbertson 
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Jackel Chow 
FILM, narration, Directing, Storytelling, improvisation, virtual camera, visualisation, 3D animation, digital art
Nicolas Pierre Alexandre (NPA) Roudier 
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Alexander Rishaug 
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Nele Möller 
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Zornitsa Stoyanova 
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
Stefan Schäfer 
ecological grief, ecological loss, Climate Change, ontological design, Design research, artistic research, Death, death culture, commemorative ritual, ritual, end of life practices, mountains, rocks, Glacier, glacier funeral, Embodied knowledge, anthropocene, ecology, Environment, poetry, scores, invitations, ethics, Artistic reserach
