Researchers
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Rikki Wolpowitz 
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Marica Totoquihuatzin 
performance, art process, art practice, art theory, theory in performing, Gender studies, love
Katrin Ackerl Konstantin 
performance, transdiciplinarity, theater, artistic research, psychology, queer theory, Gender studies
Fulya Uçanok 
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Sheung Yiu 
Hyperimage, computation, Computational Photography, algorithmic generation, PHOTOGRAPHY, photogrammetry, computer vision, remote sensing, Hyperreality, hyperobjects, New Materialism, ontology, Speculative Realism, AI (Artificial Intelligence), artistic research, multidisciplinary
Orlando Vieira Francisco 
Climate Change, social movements, Infrastructural critique, institutional critique
Dianne Reid 
screendance, dance improvisation, site specific performance, contemporary dance, interactive performance
Andrea Bonderup 
Reproductive rights Reproductive labour, feminism, patriarchy, anthropology, women's rights, women's health, the history of misogyny, PHOTOGRAPHY, poetry, reproductive rights, reproduction labour, feminism, patriarchy, PHOTOGRAPHY, installation, women's rights, women's health, the history of misogyny, anthropology
