Klaus Hu
1: strata / geology / genealogy of history 2: the digital / the sensual / appropriation 3: landscape / the Anthropocene / conflicts on resources 4: escapism / sci-fi and narrative territories
Tomi Humalisto
light, aesthetics, Technology in Education, education, performance
Jacob Anderskov
artistic research, artistic processes, music, improvisation, composition, performance, philosophy, aesthetics, methodology, phenomenology, Hermeneutics, post-structuralism, Noise, post-tonality, ensemble, interplay, embodied cognition, participation, litterature, genre theory, metaphor, arts education, science studies, Cultural Studies, sound
René Silva
Artistic Research Music, Musical Composition, Contemporary Music, Barrel Organs, heritage engagement
Jahrmann Margarete
game studies, artwork, artistic epistemology, digital art, neuroscience, activism
Iselin Dagsdotter Sæterdal
post-human, post-colonial, posthumanism, digital musical instruments, artography, Agential realism, agential cut, intra-action, intra-action New Materialism, New Materialism, experimentation, child as a musician, children, loop station, Live-electronics, live looping, rhizome, Assemblage, Musicking, arts-based research
Sophia Efstathiou
Science and Technology Studies, Science and Art collaborations, animal studies, food studies, sustainability, improvisation, sound art, philosophy as art, philosophy
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater