Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
CAT MARTINS
art education, Trans studies, queer theory, governmentality, post-colonial, post-structuralism, decolonize knowledge
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Russell Marshall
drawing, ambiguity, hyperdrawing, drawing ambiguity, drawing disambiguation
Marion Reuter
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Shane Finan
place, technology, interactive, Painting, transience, ephemeral, solastalgia, interactive installation, interactive art, digital art, Language
Helen Felcey
ceramics, Craft, design, Health, well-being, Buddhism
Stefania Castelblanco Perez
Through practice and research, I investigate the relation between sustainability, material availability, traditional craft techniques and the role of collective, ecological and cultural resistance in craft processes
Mira Sanders
cartography, narrative, art, architecture, drawing research, Cinematism
Claus Schöning
representational theories, life sciences, policy design, non-human, Nonrepresentational Theory
Diego Xavier
lines, territory, mapping, politicized art, boundaries, migration, Border Territories
Berit Seidel
surveillance, collectivity, Decolonial methods, Storytelling, Everyday Objects
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory