Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Paula Kramer
contemporary outdoor movement practice, performance, landscape, daily life, resonance, environment
Manuel Macía
coloniality of sense, curatorial, discursive practices, knowledge infrastructures, neoliberal episteme, ontological design, pharmacoloniality, political aesthetics, politics of artistic research
Josué Moreno Prieto
urban sonic space, generative art, Algorithmic Composition, urban space, Urban Acoustics, Intermedia, SITE-SPECIFIC ART
Rhiannon Jones
artistic research, dialogue, socially engaged art, conversations, practice as research, performance, Visual and Performing Arts
Merja Ryöppy
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Theodore Parker
Improvisation, electroacoustic music, site specific artwork
Karen Werner
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Michal Lovecky
digital worlds, metaverse, XR, virtual reality, transdiciplinarity, co-design, co-creation, ocean, immersive technologies, Immersion, marine science, collective action research, impact
Ville Perttu Kurki
Dramaturgy, theater, theatre, performance, documentary, dance, live art, FILM
Dianne Reid
screendance, dance improvisation, site specific performance, contemporary dance, interactive performance
P d Andrea
pubblic art, organic material, community art, plants based art, shadow and light, editorial and research, visual art, care dare share, visual culture