Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Elisabeth Schäfer
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
Yann Coppier
Sound art, Absurd sounds, Poetry, Politics, Meaning, Dramaturgy, Poetics
Matthew Xie
early music performance, continuo, Lute, Lute song, Theory, performance practice
René Silva
Artistic Research Music, Musical Composition, Contemporary Music, Barrel Organs, heritage engagement
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Rachel Horst
arts-based research; artistic research; narrative methodologies; futures literacies; digital humanities; posthumanism; new materialism;
Madelief van de Beek
scenography, Dramaturgy, Performance art, death culture, flowers, botanical material, feminism, Video art
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios