Researchers

Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Amra Heco
audio-visual, philosophy, phenomenology, art, artistic research, aesthetics, multi-mode epistemological model, multimedia, multiple belonging, multidisciplinary, psychoanalysis, psychology of perception, Jung, gardening, diaspora, quantum field, water; performance; stone;, wind, writing, rhythm language, time, translation, truth, youth, Youth driven, universe, unfinished, unlearned insight, interview, improvisation, interpretation, interactive, orientalism, performance; re-enactment; landspace; site; environment;, participation, Lecture Performance, john cage, jazz, Journal for Artistic Research, holism, harmony, heritage, FILM, food, feminism, doctorate, DIY, sound, Zodiak, criticism, children, Contemporary art, visual art, voice and live electronics, visuals, VIDEO, VISUAL CULTURE, video performance, video installation; performance; landscape; environment;, breathing, new media art, morality
Heidi Möller
artistic research, artistic processes, artwork, art
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Michael Lazar
Broad - from science to art and the boundary between them
Beate Körner
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Ahmed Omer
music, sports, design
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Isaac Alonso de Molina
early music pedagogy, early music performance, musica practica
Delphine Kim Carufel
Sculpture, neurodivesity, neuroqueerness, art
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
Olof Misgeld
music, folk music, dance, improvisation, traditional music, tradition, music theory, Music analysis
Corrado Cerutti
pedal, composition process, Guitar