Kit Hammonds
exhibition, curating, Curatorial Studies, science fiction, publishing
Linda H. Lien
visual communication, community, place, identity, belonging
Emma WIlliams
historically informed performance, 19th century, violin, voice
Andrew Champlin
dance, visual art, participatory spectatorship, technique, music aesthetics
Paola Tine
Visual Anthropology, Semiotics, Social Anthropology, Phenomenology
Nora Rinne
performance art, live art, artistic research, children, childhood, verbatim, imitation
Jung-Jae Kim
contemporary music, free improvisation, cross-genre, collaboration
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
agnes villette
nuclear history, visual art, PHOTOGRAPHY, fiction, material ontology, toxicity, landscape photography, waste, Cold War-era
Eszter Mag
Participatory Art, puppetry, theatre, intuition
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy