Lauren O'Neal
curation, pedagogy, experimentation, architecture, dance, museums, galleries, academia, artistic research, process, interdisciplinarity, choreographic thinking, open-endedness, poetics, co-imagining, installation, invisible research, curatorial dramaturgy
Trond Lossius
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Jennifer Torrence
Percussion, contemporary music, new musical works, Experimental music, collaboration, collaborative processes, devising
Andrew Champlin
dance, visual art, participatory spectatorship, technique, music aesthetics
Simon Gilbertson
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Caterina Daniela Mora
performing arts, education, decolonial, feminism, dance;, migration, teaching artist, training, dancing, Dance education, transmission, Translation., embodiment
Beate Körner
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Richard Alsadi
Qanun performance, Middle East, Ancient instruments, extended techniques, Qanun, soundscape composition
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Pedro Neto
Photography, documentary, architecture, artistic processes, archive, imaging
Hayley Whelan
Walking Art; Social Art Practice; Perfromance & Artistic Intervention, walking practice, walking art, Writing as artistic research, practice-led research, PHOTOGRAPHY, darkroom photography, Film-making, collage, walking, cities, Scotland, research