Researchers
Jostein Gundersen 
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Jennifer Anyan 
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Jeffrey Cobbold 
digital sound studies, electro-acoustic/experimental music, field recording practices, sound art installation, language-based artistic research, personal digital storytelling, worship arts/Christian education, video production
Matthew Galea 
Sculpture, Cross Media Systems, Mixed Reality Systems, Sound Art, Sound Sculpture, Social Sculpture, Hybrid Interfaces and Interaction Modalities, Interactive Art Practice, Artificial Consciousness, Human Computer Interaction, Machine Awareness, Alternative Platforms and Archives., Tattoo
Martin Scheuregger 
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Adolfo Ruiz 
practice-based research, animation, community based art work, participatory design, artistic research, indigenous knowledge
Lotte Dohmen 
concepts of work and labour, regenerative knowledge systems, collective research in arts, Sustainable performance
Olya Zikrata 
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism
Luz Irene Moreno-García 
sound art, soundscape, aural art, Music Education, musicology, art psychology
