Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Sarah Black
Family-art making, ethics, Maternal Ethics, Installation Art, dance, Feminist Ethics
Ekaterina Butorina
BCI, sensors, AI, space, data, design, recording, landscape, architecture
Nathalie S. Fari
site-specific performance, performance documentation, video performance, performed photography, filmmaking, embodiment, agency
Thomas Pearce
performance, reconstruction, digital fabrication, 3D scanning, 3d digital modeling, historiography, Design research, architectural research, Architectural technology, design, speculative design, architecture
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Eduardo Gaspar Polo Baader
Early music, crossmodal correspondences, new music, contemporary music, traverso, french baroque, interdisciplinarity, transdiciplinarity
Lizzie Lloyd
art writing, documentation, Association, Resonances, embodied writing, socially engaged art, writing in practice