Jeremy Welsh
visual art, video installation; performance; landscape; environment;, Video art, performance, contemporary music, experimental film, Experimental music, Media Arts
Albert Cheng-Syun Tang
Design, Critical practice, Critical speculative design, information technology, Human-machine-Interaction, creative computing, Politics of design, interaction design, graphic design, visual communication, philosophy, artificial intelligence, democracy
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Einar Torfi Einarsson
notation, experimental systems, post-structuralism, post-conceptual art, extended techniques, Extended Duration, experimental notation
Rebecca Najdowski
New Materialism, New media, PHOTOGRAPHY, Video art, posthumanism, landscape
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
András Blazsek
Environment, Soundart, Soundscapes, media archeology, Sound Archeology, sound architecture, Data Sonification, Scupture
Tamar Zhvania
artistic research, musicology, piano pedagogy, piano practice
pavleheidler
Gender studies, dance;, dancefilm, performance, performativity
Marina Grzinic
necropolitics, colonial memory, aesthetics, technology, community, artistic research
Sharin Foo
immersive performance, Spatial Audio, spatialization, music