Klaus Hu
1: strata / geology / genealogy of history 2: the digital / the sensual / appropriation 3: landscape / the Anthropocene / conflicts on resources 4: escapism / sci-fi and narrative territories
Markéta Dolejšová
Feral, more-than-human, multispecies, embodied, sensory, co-creation
Albert Cheng-Syun Tang
Design, Critical practice, Critical speculative design, information technology, Human-machine-Interaction, creative computing, Politics of design, interaction design, graphic design, visual communication, philosophy, artificial intelligence, democracy
Ilya Ziblat Shay
improvisation, free improvisation, composition, live electronics
Bruno Pereira
voice, improvisation, art, performance, sound, body, opera
Zoe Sadokierski
book design, ecological ethics, graphic design, Literature, VISUAL CULTURE, visualisation, paratext, visual communication, visual communication design, publishing, documentation, process oriented practices, critical practice
Shane Finan
place, technology, interactive, Painting, transience, ephemeral, solastalgia, interactive installation, interactive art, digital art, Language
Martí Ruiz i Carulla
sound art, Soundsculpture, acoustics, participation, DIY, socially engaged art, science and art
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Gareth Somers
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Ricarda Vidal
Intersemiotics, translation, Multimodal experience, multilingualism, concrete poetry, visual communication
Leo Hosp
ecology, poetry, video, environment, transformation, sustainability, queering, visual art, technology, neurodiversity
Diana Ferro
poetry, improvisational scores, collective research in arts, Writing as artistic research, pedagogical research, self-publishing, painting-as-discourse, material based art