Luisa Greenfield
analog film, performance; landscape; video; sound; installation, practice-based research, artistic research, Essay Film
Ilya Ziblat Shay
improvisation, free improvisation, composition, live electronics
Jari Kauppinen
mediation, sound art, voice, voice and live electronics, presence, stage, vocality
Catherine McKinnon
narrative, Climate Change, collaboration, fragmented narratives, future, feminism, creative practice, creative ecologies, creative writing, creative process, violence, unreliable narratives, braided narratives
Eka Chabashvili
music, composition, Contemporary art, genetics, Physics, land art, piano, experimental, audio-visual, film music, fine art, ancient cultures, ecomusicology
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Liesel Dom
performance; landscape; video; sound; installation, Information and communication, Socio-political activism, Internet, digital art, propaganda, philosophy as art, Documentary experimental, Myths, Belief
Jung-Jae Kim
contemporary music, free improvisation, cross-genre, collaboration
Ivana Mancic
visual art, conflict, identity, PHOTOGRAPHY, doctoral research
Marina Grzinic
necropolitics, colonial memory, aesthetics, technology, community, artistic research
Olof Misgeld
music, folk music, dance, improvisation, traditional music, tradition, music theory, Music analysis
Leslee Smucker
liminality, violin, contemporary music, Experimental music, theatre, prepared instruments
Fey (Faith) Harkey
Jungian Psychology, Authorship, Phenomenology, Artmaking, Fiction, Gifted/Talented
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory