Researchers

Markéta Dolejšová
Feral, more-than-human, multispecies, embodied, sensory, co-creation
Christoph Brunner
Media Arts, affect, politics, activism, research-creation, Media studies, Cultural Studies, postcolonial/decolonial theories, Gender studies, Aesthetics and Theory of Arts
Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Martin P Eccles
walking, sound, movement, time, distance, landscape, place, Durational practice, embodiment, phenomenology, human scale, solitude, field recording, poetry, haiku, haibun, mesostic, replication, replicated walks, islands, imagined islands, chance processes, random, sound art, soundwalking
Britta Benno
artwork, artistic research, drawing, Printmaking, hybrid media, hybrid drawing, extended techniques, worlding, ruinenlust, posthuman, landscape depicting, dystopic art
Fabian Chyle
PERFORMANCE STUDIES, DANCE MOVEMENT THERAPY, COMMUNITY DANCE, ARTISTICE RESEARCH, Choreography
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Hilde Hovland Honerud
photography, socially engaged art, Form, new media art, geopolitics, visual art
Sergej Tchirkov
artistic research, contemporary music, collaborative spaces, Shared Space
derek pigrum
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism
Chiara Mu
performance art, visual art, intersectionality, Memory culture, embodied methodology, embodiment, risk, Care ethics, relational aesthetics