Lauren O'Neal
curation, pedagogy, experimentation, architecture, dance, museums, galleries, academia, artistic research, process, interdisciplinarity, choreographic thinking, open-endedness, poetics, co-imagining, installation, invisible research, curatorial dramaturgy
Johan van Kreij
computer music, improvisation, electroacoustic music, live electronics
Markéta Dolejšová
Feral, more-than-human, multispecies, embodied, sensory, co-creation
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Maria Peres
ethnomusicology, music, feminism, art, ethics, humanitarian response, heritage, education, community, interculturality
Calum Builder
improvisation, organ, saxophone, spiritual formation, spiral
Anna Lorenzana
Image-based media;, computer interface history, archival art practice, Archival Research, power structures in the systematics of public administration, sculptural arts, archaeological imagnation, site-specific narratives, sculptural practice
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality
Jocelyn Michel Janon
photography, visual storytelling, methodologies, media, design, fiction-based research, colonial memory, scientific fictionalism, cultural representation, practice-based research, Archival Research, decolonial critique, embodied practice, visual memory, ethics of image-making, historical recontextualisation, Artificial Intelligence (AI)
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology