Marsha Bradfield
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Julia Hoelzl
limits, limit-experiences, endings, finitude, transience
John Cussans
science fiction, anthropology, artistic reasearch, art theory, critical theory, social psychology, Haiti, Vodou, decolonialism, horror, alterity, psychoanalysis, British Columbia, Northwest Coast First Nations, surrealism, diagrams, Ghetto Biennale, colonialism
Louise Walleneit
artwork, artistic research, art practice, art education, aesthetics, Body based art, bodytalk, body language, digital art, participatory arts, intervention, textile, McLuhan, bodyextension, Hartmut Rosa, Birgit Schneider, performance, Derrida, Franz Erhard Walter, Rebecca Horn, Mona Hatoum
LM Sanchez Cardona
transdiciplinarity, new media art, digital art, socially engaged art, antropocene, sound art, ethnography, philosophy as art, Beckett
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Jocelyn Michel Janon
photography, visual storytelling, methodologies, media, design, fiction-based research, colonial memory, scientific fictionalism, cultural representation, practice-based research, Archival Research, decolonial critique, embodied practice, visual memory, ethics of image-making, historical recontextualisation, Artificial Intelligence (AI)