Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Cheryl Akner Koler
haptic, aesthetic abstractions, creative collaboration, cross-disciplinary, intradisciplinary, applied aesthetics, sensitizing labs
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Jasmin Schaitl
performance, visual art, participatory arts, memory, haptics, installation
Marlies Surtmann
performance, archive, künstlerisch-performative Erschließung, public space, participatory arts, performance archive, artistic performative transmission strategies
Theodore Teichman
embodiment, environmental art, environmental sound, environmental stewardship, environmental artistic research, environmental humanities, environmental ethics, ecology, eco-art, ecocriticism, ecopsychology, artistic research, landscape, landscape art, land-art, Landscape.Body, sound art, soundwalk, soundscape composition, soundscape, psychogeography, psychoacoustics, phenomenology, materiality, vibrant matter, material perception, material ontology, body extended, performance, site, Site-specific, place, Place and time, placemaking, time, time based media, time ecology, Film-making, photographic practice
FRANCO RIPA DI MEANA
performance, Technology Innovation, multimedia, transdiciplinarity, Science and Art collaborations, performativity, community, userinvolvment, User Experience
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
PoL Manterani
ecology of artistic research, magical thinking, art, visual art, interdisciplinarity, social coexistence, fungi, functional harmony, CONTEMPORARY MEDIA, future-shaping, regenerative knowledge systems