Mick Wilson
necropolitics / political community with the dead, foodways and political imaginaries, rhetorical form & method discourse in knowledge conflict
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Emma WIlliams
historically informed performance, 19th century, violin, voice
Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Freï von Fräähsen zu Lorenzburg
Performance, Performance art, Performance art theory and practice, Conceptual art, Monarchy, Ceremony, ritual, rituality, performativity, performative research, transmedia, anthropology, Queer, queer theory, Micronations, Micronationalism, Magick, Magic, Theology
Eli-Kirstin Eide
Architecture, materiality, spatial design, universal design, senses
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
Jacek Smolicki
field recording, soundwalking, para-archiving, soundscape, mapping, experimental cartography, personal archiving, acoustic ecology, psychogeography
Jelena Škulis
materiality, community, feminism, craftivism, textile, textuality, processualism, slowness
Theodore Parker
Improvisation, electroacoustic music, site specific artwork
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Tuomas Rounakari
Artistic research, Myths, mythologies, Altered states of consiousness, more-than-human, indigenous knowledge, Arctic art, community engagement, trance, transcendence, transdiciplinarity, mythical dialogue, bear feast ceremony, bear myths