Researchers
Marcel Cobussen 
sound studies, continental philosophy, improvisation, music aesthetics, New Materialism
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Justy Phillips 
Publishing as art practice, artistic research, Writing as artistic research, more-than-human
Sepideh Karami 
architecture, dissident, Writing as artistic research, critical writing, minor architecture
Tanja Orning 
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Darja Popolitova 
new media art, post-internet, digital art, digital craft, Media Arts, tactility, tactile visuality, screen, Video art, jewellery, jewellery art
Kristin Norderval 
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Helen Scarlett O'Neill 
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Samuel Penderbayne 
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Camilla Carlsen 
Design Thinking, Human-machine-Interaction, User Experience, User Interface, psychology
Jorge Alvaro Manzano 
cinema, cinematography, PHOTOGRAPHY, representation, Women's Image, artificial intelligence, racism, colonialism, post-colonial
Joanna Kalm 
Somatic practices, embodied writing, participatory arts, expanded choreography, anthropology, autoethnography, Experiential Learning, ecosomatic
