Researchers

Till Bovermann
sonification, listening, Live-electronics, live coding
Michael Duch
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Einar Torfi Einarsson
notation, experimental systems, post-structuralism, post-conceptual art, extended techniques, Extended Duration, experimental notation
Brandon LaBelle
sound culture, voice studies, radical hosptiality, poetics
Robbrecht Van Cauwenberghe
Harmonium, Sibelius, Accordion
Kersti Grunditz Brennan
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
Michael Wolters
experimental composition, Performance art, visual music
Ann Kroon
urban exploration, urban space, visual sociology, architectural photography, autoethnography
Pavlos Kountouriotis
live art, Performance art, Pain, altered states of consciousness, Choreography, law, queer theory, continental philosophy, systemic art, surrender, philosophy, body in performance, practice-as-research
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Marica Totoquihuatzin
performance, art process, art practice, art theory, theory in performing, Gender studies, love
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Panayiotis Kokoras
Sound Composition
Leslee Smucker
liminality, violin, contemporary music, Experimental music, theatre, prepared instruments
CAW