Researchers
Tatjana Macic 
artistic processes, writing, theory, performance, institutional critique, education, laguage
Tyler Payne 
feminism, art, feminist art, carnal sociology, feminist epistemology, video art, performance art, marxism, parasocial interaction theory, social media, advertising, gender performativity, social construction theory, intersectionality, instagram, intersectional feminism, commodity fetishizm
Charlotte Østergaard 
costumes, artistic research, materiality, performativity, cotume, theater, performance, Design Thinking, co-creation, collaboration, Site-specific, listening, listening with costume, hosting, Textile art, material thinking, hospitality, ethics, research ethics, Design research
Marie-Andrée Robitaille 
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
René Silva 
Artistic Research Music, Musical Composition, Contemporary Music, Barrel Organs, heritage engagement
Kristin Norderval 
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Marketa Kinterova 
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Mari Flønes 
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Késia Decoté Rodrigues 
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
