Hélène MUTTER
War, Conflict Zones, research-creation, world, Social science, geopolitics, visual art, education, PHOTOGRAPHY, archive, memory
Hedvig Jalhed
opera, music drama, dramaturgy, interaction, immersion, voice, vocality, singing
Katri Hirvonen-Nurmi
Cultural Institutions, cultural policy, Indigenous peoples, social anthropology, socially engaged art
Cha Blasco
Technology Innovation, New media, New Protocols, Decentralized Systems, Performance Philosophy, Music, Performance, Philosophy, Antroposophy, Ecosophy
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Jorge Alvaro Manzano
cinema, cinematography, PHOTOGRAPHY, representation, Women's Image, artificial intelligence, racism, colonialism, post-colonial
Sabina Holzer
anthropocene, ecologies, more-than-human, intersectional feminism, materiality, Body based art, science fiction, poetry, community, dance