Researchers

Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Geetanjali Sachdev
Pedagogy, crafts., art, design, plants
Assi Karttunen
musical gesture, embodiment, historically informed performance, Performance studies, phenomenology
Cha Blasco
Technology Innovation, New media, New Protocols, Decentralized Systems, Performance Philosophy, Music, Performance, Philosophy, Antroposophy, Ecosophy
Nicolau Centola
Soundart, soundscape, sound
Maud Haering
Caldara, singing, salterio, scialmo, chalumeau, cymbalum, Psalterium, Vienna, Oratorio
Marc Johnson
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history
rosinda casais
relational practice, language-based practice, material remains, artistic research, making as inquiry
Franziska Trapp
performance, circus arts, New Materialism, Semiotics, Dramaturgy
Sara Key
Semiotics, humour, attention, iconoclasm, acting, directing, philosophy of ethics, art cinema, poetic art
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music