Researchers
Marcel Cobussen 
sound studies, continental philosophy, improvisation, music aesthetics, New Materialism
Jeannette Ginslov 
Screendance, Embodied Dance Practice, Dance-tech practice, Embodied technologies, Embodied Materiality
Helena Grande Vicente 
relational ontology, Media Arts, philosophy of technology, Affect, performance
Jaakko Ruuska 
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Britta Benno 
artwork, artistic research, drawing, Printmaking, hybrid media, hybrid drawing, extended techniques, worlding, ruinenlust, posthuman, landscape depicting, dystopic art
Xavier Mendik 
Representations in cult and horror cinema, Images of terrorism in cult film traditions, Documentary film practices, Italian cinema and society, Culture and conflict in Canadian film
Helen Scarlett O'Neill 
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Fulya Uçanok 
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Hans Lennart Jonsäll 
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Eduardo Gaspar Polo Baader 
Early music, crossmodal correspondences, new music, contemporary music, traverso, french baroque, interdisciplinarity, transdiciplinarity
Karen Werner 
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Késia Decoté Rodrigues 
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
