Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Adolfo Ruiz
practice-based research, animation, community based art work, participatory design, artistic research, indigenous knowledge
Ellen van der Aart
professional identity, wellbeing, Health, reflecteren, embodiment, Embodied reflection, Embodied knowledge, artistic research, art education, Zelfreflecties, professionelezelfreflectie, levenlangontwikkelen, caringsociety, art&care
Olya Zikrata
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism
Vilja Achté
computer-generated imagery, narrativity, environmental humanities, digitality, new media art