Researchers
Albert Cheng-Syun Tang 
Design, Critical practice, Critical speculative design, information technology, Human-machine-Interaction, creative computing, Politics of design, interaction design, graphic design, visual communication, philosophy, artificial intelligence, democracy
Manoela dos Anjos Afonso Rodrigues 
Visual Arts, Autobiography, Decoloniality, arts-based research, practice-based research, practice as research, artistic method, methodology, socially engaged art, Transpedagogy, interdisciplinarity, transdiciplinarity, multidisciplinary, postdisciplinarity, Narrative Research, Oral History, family archives, Life writing, Life stories, Diary, Correspondence, Archive, Memoir
Edmund Hunt 
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Ann Kroon 
urban exploration, urban space, visual sociology, architectural photography, autoethnography
Vanessa Ramos-Velasquez 
Indigenous Studies, Cultural Studies, cultural heritage, cultural history and theory, environmental artistic research, environmental sciences, Media Arts, Anthropocene, artivism
Anders Holst 
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
D.A. Calf 
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Vadim Keylin 
sound studies, sound art, partipation, digital culture, poetry, participatory art, participatory culture, creativity
Melissa Ryke 
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Stuart Slater 
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme