Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Barbara Macek
poetics, biophilosophy, transdiciplinarity, interspecies relationships, poetry, medical history, medical humanities, autoimmunity, pain, existential philosophy, psychoanalysis, memory, nothingness, time
Julia Hoelzl
limits, limit-experiences, endings, finitude, transience
Russell Marshall
drawing, ambiguity, hyperdrawing, drawing ambiguity, drawing disambiguation
Caterina Daniela Mora
performing arts, education, decolonial, feminism, dance;, migration, teaching artist, training, dancing, Dance education, transmission, Translation., embodiment
Hermans Carolien
play;, dance improvisation, enactive cognition, participatory-sense making, affects, touch, transformation, inter corporality
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Qiong Zhang
performance; re-enactment; landspace; site; environment;, ecology, creative writing, surveillance, Choreography, performative practice
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism