Researchers

Phil Sawdon
drawing, drawing research
Sander Hölsgens
Phenomenology, Visual arts, architecture, Film-making, documentary film, activism
vincent roumagnac
Anthroposcene, Deep Stage, Hyperdrama, Time Ecology, Artistic Research, Scenic Thinking, Reacclimatization, Contemporary art, Architecture, Scenographic Turn, Theatre Without Theatre, Skenomorphoses, Ecosophy
Bruno Moreschi
decolonial studies, computer art, vision, computer vision, institutional critique, Artificial Intelligence (AI), technology, image, Visual Studies, Conceptual art, Contemporary art
Chrysa Parkinson
performance, dance, authorship
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Safa Tharib
emergent storytelling, 3D, narratology, digital arts
Marina Grzinic
necropolitics, colonial memory, aesthetics, technology, community, artistic research
Rasmus Kloster Bro
cinema, virtualization, virtual art, Storytelling, FILM, Film-making, sketch; draft; test, manuscripts, experimentation, collaboration
Guy Livingston
silence, absence, music aesthetics, urbanism, Luwteplekken
Isaac Alonso de Molina
early music pedagogy, early music performance, musica practica
Raf Brouns
Music Education, music theory, Musical Cultures
Ricarda Vidal
Intersemiotics, translation, Multimodal experience, multilingualism, concrete poetry, visual communication
Kobe Van Cauwenberghe
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity
Stig Møller Hansen
graphic design, creative coding, visual communication
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
Katelyn Rose King
co-creation, experimental systems, new music performance, new music theater, percussion performance, electroacoustic music, collaborative processes