Barbara Lueneburg
Instrumental Performance Studies, Participatory Art, Authorship, Collaboration, Methodology, Embodiment, Artistic Research
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music