Johan van Kreij
computer music, improvisation, electroacoustic music, live electronics
Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
andy lock
Silence, performance, absence, site-writing, institutional silence, the body, situated writing, familial silence, artistic writing, embodied, site, radio
Julieanna Preston
live art, spatial design, performance writing, new materialism, sound art, aurality
Diogo Alvim
Music, architecture, moving image, sound art
Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Rachael Jones
experimental filmmaking tools, material methods, arts-based research, participation in filmmaking, sensuous knowledge, materialist filmmaking
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Olya Zikrata
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism
Ali Williams
creative practice research, embodiment, cognitive science, mind, ceramics, movement, sound, interconnectedness, relationality, attention, transdiciplinarity, collaboration, creative process