Researchers

Jan Schacher
Elina Lifländer
Øyvind Brandtsegg
Stefan Östersjö
Vytautas Michelkevicius
post-photography, diagram, mapping, post-colonial, Media Arts, artistic research, artistic epistemology
annette.jakobsen@aarch.dk
Cynthie van Eijden
Renee Jonker
Thomas Bjørnsten
Barbara Lueneburg
Instrumental Performance Studies, Participatory Art, Authorship, Collaboration, Methodology, Embodiment, Artistic Research
Lex van den Broek
Janet Krause
Christabel Stirling
Sarah Lappin
Adria Julia
CAT HOPE
Animated Music Notation, Experimental music, composition as research, Music Performance
Kate-Elin Madsen
Nicola Di Croce
Wesley Troeger
Music Perception and Cognition, Dramaturgy
Isil Egrikavuk
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Judith Marcuse
Katherine Stimson
Marta Wörner Sarabia
John Andrew Wilhite-Hannisdal
Johannes Scherzer
sound, space, scenography, communication
ELEONORA ILIA
Gro Amanda Matland Nevstad
Camilla Genee
Theodore Parker
Improvisation, electroacoustic music, site specific artwork
Adam Łukawski
Yuya Takeda
media Literacy, philosophy of education, discourse studies, conspiracy theories
Csaba Hajnóczy
acoustic ecology, sound, soundscape, sound art
XF Fotiou
Jason Norda
visual art, education, art education, multimedia
Thijs Baselmans
Maia Navas
videoart, experimental film, Contemporary art
Annelies Schelles
Nicia Ivonne Fernandez Grijalva
documentary film, Documentary storytelling, vr-video, Immersive Experiences, radio, antropocene
Marie-Lou Debels
Lorenz Schwarz
Pilotmate
testing, research catalogue
Jose Marie Romarate Sta. Iglesia
Pedro Mesquita Martins
Patricia Milheiro
Pedro Pablo Cámara Toldos
contemporary music, interdisciplinary performance, saxophone, extended techniques, concert setting
Jocelyn Michel Janon
photography, visual storytelling, methodologies, media, design, fiction-based research, colonial memory, scientific fictionalism, cultural representation, practice-based research, Archival Research, decolonial critique, embodied practice, visual memory, ethics of image-making, historical recontextualisation, Artificial Intelligence (AI)
Hongyi Gu
Maedeh Hoseini
Daniela Ponomarevová
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