Researchers
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Marie Fahlin 
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Andrew Bracey 
Fine Art, Contemporary Curatorial Practice, Artist as curator, Painting, Parasitic tendencies of contemporary artists, appropriation, looking, attention, art and archives
Hermans Carolien 
play;, dance improvisation, enactive cognition, participatory-sense making, affects, touch, transformation, inter corporality
Danica Maier 
Fine Arts, artistic research, textiles, drawing, music, installation, labour, repetition
Rachael Jones 
experimental filmmaking tools, material methods, arts-based research, participation in filmmaking, sensuous knowledge, materialist filmmaking
Mafalda Deville 
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Samuel Penderbayne 
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Maria Jonsson 
archival practice, archival art practice, art theory, Film studies, Art history, photographic practice, forest, natural science
