Klaus Hu
1: strata / geology / genealogy of history 2: the digital / the sensual / appropriation 3: landscape / the Anthropocene / conflicts on resources 4: escapism / sci-fi and narrative territories
CAT HOPE
Animated Music Notation, Experimental music, composition as research, Music Performance
Tom Blancarte
double bass, improvisation, Actor network theory, translation, Language, AI, second-order systems, game studies, game-pieces, role-play, RPGs, metroidvania, platformers
Matthew Galea
Sculpture, Cross Media Systems, Mixed Reality Systems, Sound Art, Sound Sculpture, Social Sculpture, Hybrid Interfaces and Interaction Modalities, Interactive Art Practice, Artificial Consciousness, Human Computer Interaction, Machine Awareness, Alternative Platforms and Archives., Tattoo
Marc Johnson
animal studies, archival imagination, archival film practice, critical archival studies, critical theory, colonial archives, European heritage, expressions of marginalized identities, film-makers in the archives, film studies, historical consciousness, historicity, historiography, oral history, photographic records, sampling, visual literacy, archival activism, archival amnesty, counter-narratives archives, contested narratives, contre-histoire, liberatory archives, reparative archive
Stijn Brinkman
space and body, violin, curatorship, mirror, participatory arts, performance, performance; re-enactment; landspace; site; environment;
Lisa Dillan
improvisation, improvisation exercises., improvisational scores, improvisational theatre, improvisation and real-time composition, improvisation psychology, listening, listening practices, Meditation, concentration, Flow, communication