Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Karst de Jong
Music Theory, Improvisation, Harmony, Analysis, Composition, (collaborative) Creation
David Rych
migration, political aesthetics, politics of memory, political film, Anthropocene, migrant aesthetic, documentary, Documentary experimental, documentary film, document theory, Documentary storytelling, aesthetic journalism, Media Arts, media archeology
DÁNIEL PÉTER BIRÓ
composition, music aesthetics, Music analysis, Musical Cultures, Music philosophy, computer music, musicology, Judaic Studies, Spinoza, philosophy
Shane Finan
place, technology, interactive, Painting, transience, ephemeral, solastalgia, interactive installation, interactive art, digital art, Language
Xenia Mura Fink
gaze, female gaze, politics of representation, figuration, drapery, queer feminism
Eduardo Gaspar Polo Baader
Early music, crossmodal correspondences, new music, contemporary music, traverso, french baroque, interdisciplinarity, transdiciplinarity
Madelief van de Beek
scenography, Dramaturgy, Performance art, death culture, flowers, botanical material, feminism, Video art
Alan O'Leary
video essays, Videographic criticism, epistemology, film production teaching
Alžběta Trojanová
performative walk, Non-Place, environmental art, land art, Site-specific;, non-site, singing
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme