K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Daniel Adrian Malpica Gomez
graphic design, literatute, poethics, creative writing, visual poetry, multimedia, narratives, visual art, design, language
David Rych
migration, political aesthetics, politics of memory, political film, Anthropocene, migrant aesthetic, documentary, Documentary experimental, documentary film, document theory, Documentary storytelling, aesthetic journalism, Media Arts, media archeology
Jakub Pesek
music production, Accessibility, art of sound, haptic
Tamar Zhvania
artistic research, musicology, piano pedagogy, piano practice
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Thomas Pearce
performance, reconstruction, digital fabrication, 3D scanning, 3d digital modeling, historiography, Design research, architectural research, Architectural technology, design, speculative design, architecture
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Lisa Dillan
improvisation, improvisation exercises., improvisational scores, improvisational theatre, improvisation and real-time composition, improvisation psychology, listening, listening practices, Meditation, concentration, Flow, communication
Diego Xavier
lines, territory, mapping, politicized art, boundaries, migration, Border Territories
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme