Paola Villanueva
artistic research, art education, post-qualitative inquiry, drawing, art practice
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Kate McCallum
Art practice as research, linguistics, linguistic pragmatics, abstraction, mathematical thought, art and science, art and technology, artistic research, ethnography
Julia Hoelzl
limits, limit-experiences, endings, finitude, transience
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Francisco Beltrame Trento
neurodiversity, queer theory, Film-making, post-qualitative inquiry, neuroqueerness, artistic research, anarchive, research-creation, kinship
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Emma Richey
animation, musicology, phenomenology, algorithmic processes
Celine Lyng
songwriting, artificial intelligence, technology
Tuomas Rounakari
Artistic research, Myths, mythologies, Altered states of consiousness, more-than-human, indigenous knowledge, Arctic art, community engagement, trance, transcendence, transdiciplinarity, mythical dialogue, bear feast ceremony, bear myths