Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Uwe Steinmetz
Jazz, postsecularity, religion and music, Lyricon, electroacoustic music
Martin P Eccles
walking, sound, movement, time, distance, landscape, place, Durational practice, embodiment, phenomenology, human scale, solitude, field recording, poetry, haiku, haibun, mesostic, replication, replicated walks, islands, imagined islands, chance processes, random, sound art, soundwalking
Arnas Anskaitis
artistic research, diagram, experiment, publication, writing
Thomas Pearce
performance, reconstruction, digital fabrication, 3D scanning, 3d digital modeling, historiography, Design research, architectural research, Architectural technology, design, speculative design, architecture
Greta Pundzaite
Visual and Performing Arts, movement, physical theatre, dance, socio-cultural communication, Social Cognitive Neuroscience
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Debashis Sinha
sound, sound art, soundscape, sound narrative, ethnography, Storytelling, urban space, mythologies