Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Danny Butt
research methods, artistic research, Settler Colonialism, Platforms, Neoliberal Aesthetics, History of Universities, methodology
Katrina Brown
choreography, drawing, documentation, contemporary arts, hybrid practice, horizontality, artistic research
Barbara Lueneburg
Instrumental Performance Studies, Participatory Art, Authorship, Collaboration, Methodology, Embodiment, Artistic Research
Jim Harold
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Alison Isadora
Music philosophy, notation, ecology, feminism, sound art, Sound
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Francisca Skoogh
performance, western classical music, artistic research, psychology
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Catherine Cartwright
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Linn Henriksson Strååt
Devising, scenography, costume design, devising theatre, Deleuze, phenomenlogy, New Materialism, carnal aesthetics
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology