Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Scott McLaughlin
materiality, indeterminacy, spectral, failure, contingency, networks
Jim Harold
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Yann Coppier
Sound art, Absurd sounds, Poetry, Politics, Meaning, Dramaturgy, Poetics
Russell Marshall
drawing, ambiguity, hyperdrawing, drawing ambiguity, drawing disambiguation
ARNAU MILLÀ BENSENY
sound art, sound to symbol, improvisation, multidisciplinary, Language, code, dance, moviment, soundscape, public space, Site-specific
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Catherine Cartwright
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Camilla Carlsen
Design Thinking, Human-machine-Interaction, User Experience, User Interface, psychology
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Vadim Keylin
sound studies, sound art, partipation, digital culture, poetry, participatory art, participatory culture, creativity
Sally Emke
fear, craft, cuteness, humor, comics, judaism