Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Arno Boehler
Philosophy as Arts-Based Research, continental philosophy, Indian Philosophy, Deleuze, Nietzsche, Spinoza, Immanence
Barbara Graf
Body based art, artistic research, phenomenlogy, lived experiences, drawing, Textiles
Tamar Zhvania
artistic research, musicology, piano pedagogy, piano practice
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Maria Høgh-Mikkelsen
colour, design, material, aesthetics, artistic research, textile, atmosphere, phenomenlogy, creativity, Design research, design process
TAT KUEN KO
hauntology, Postmemory, artistic research, artistic practices, time, temporality