András Blazsek
Environment, Soundart, Soundscapes, media archeology, Sound Archeology, sound architecture, Data Sonification, Scupture
Maud Haering
Caldara, singing, salterio, scialmo, chalumeau, cymbalum, Psalterium, Vienna, Oratorio
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Austeja Platukyte
Bioart, biodesign, materials, ecology, Climate Change, Anthropocene, Biodegradable objects, material futures, circular design, organic materials, living materials, 3d bioprinting, grown materials, hybrid materials, material design, living design objects
Fernanda Branco
performance; re-enactment; landspace; site; environment;, antropocene, posthumanism, soundscape, micro-phenomenology;, New Materialism
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Ryan Evans
Participatory Art, Socially Engaged Art, Community Art, Sound Art, Disability Aesthetics
Sara Hulkkonen
Craft, glass, practice-led research, New Materialism, sociomateriality
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
Jan Kierepka
fashion design, nature, modernism, culture, artistic processes, Fashion History, hip-hop artists; poets, music aesthetics, philosophy as art
Hala Ali
Collaboration between Visual Arts and Other Discipline, Audience Engagement and Interaction;, noeuroscience and art