Kit Hammonds
exhibition, curating, Curatorial Studies, science fiction, publishing
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Johan van Kreij
computer music, improvisation, electroacoustic music, live electronics
Kersti Grunditz Brennan
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
David Szanto
food art, food studies, gastronomy, eco-gastronomy, transdiciplinarity, research-creation, performance
Theodore Teichman
embodiment, environmental art, environmental sound, environmental stewardship, environmental artistic research, environmental humanities, environmental ethics, ecology, eco-art, ecocriticism, ecopsychology, artistic research, landscape, landscape art, land-art, Landscape.Body, sound art, soundwalk, soundscape composition, soundscape, psychogeography, psychoacoustics, phenomenology, materiality, vibrant matter, material perception, material ontology, body extended, performance, site, Site-specific, place, Place and time, placemaking, time, time based media, time ecology, Film-making, photographic practice
Alex Hale
art, Archaeology, landscape, graffiti, inscription, practice-based, contemporary archaeology
Catherine Cartwright
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Leslee Smucker
liminality, violin, contemporary music, Experimental music, theatre, prepared instruments
Stefan Schäfer
ecological grief, ecological loss, Climate Change, ontological design, Design research, artistic research, Death, death culture, commemorative ritual, ritual, end of life practices, mountains, rocks, Glacier, glacier funeral, Embodied knowledge, anthropocene, ecology, Environment, poetry, scores, invitations, ethics, Artistic reserach