Marsha Bradfield
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Uwe Steinmetz
Jazz, postsecularity, religion and music, Lyricon, electroacoustic music
Simon Gilbertson
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Sara Ekholm Eriksson
nature, bio, wood, forest, skog, labb, lab, konst, installation, video, projektion
Nayeli Vazquez Bertely
choreography and performance, dance, choreographic thinking, Dance education, embodiment
Benjamin Jenner
generative constraint, practice-based research, navigation, sensory awarness, languaging, embodied blindfoldedness, visual deprioritisation
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation
Andrea Bonderup
Reproductive rights Reproductive labour, feminism, patriarchy, anthropology, women's rights, women's health, the history of misogyny, PHOTOGRAPHY, poetry, reproductive rights, reproduction labour, feminism, patriarchy, PHOTOGRAPHY, installation, women's rights, women's health, the history of misogyny, anthropology