Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
craig wells
Spatial Audio, electroacoustic music, synthesis, materialism, phenomenlogy, field recording, fiction, Speculative Realism, Process Philosophy
Maria Huhmarniemi
community art, socially engaged art, environmental art, art education, arctic, sustainability
Kate McCallum
Art practice as research, linguistics, linguistic pragmatics, abstraction, mathematical thought, art and science, art and technology, artistic research, ethnography
Tijs Ham
sound art, instrument design, chaotic processes
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Hiba Masad
Storytelling, Printmaking, reading, belonging, Artistic reserach, public space, public art, libraries, archives, identity, Homeland, home, Pain, collective memroy
David Bello Arcos
music in society, public space, public urban space, public sound installation, public art, Public sphere, Public History, nature culture, Social bond, interdisciplinarity, performance, non-human