Matthias Heyman
jazz, popular music, improvisation, jazz history, Jazz Studies, HIP, historically informed performance, artistic research, bass, double bass
Einar Røttingen
Music Performance, performance practice, musical expression, relation composer - performer, contemporary music, 2oth century music, notation, performers analysis, articulation, sound production, metaphors
Paula Kramer
contemporary outdoor movement practice, performance, landscape, daily life, resonance, environment
Niels Lyhne Løkkegaard
plasma, sedimentation, saturation, softening, decolonial, more-than-human, instrumentalization, folded time, occultism, potentiality, hypering, surrection
Bjarni Gunnarsson
Algorithmic Composition, computer music, electroacoustic music, programming language
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Thomas Grill
Media Arts, Experimental music, Sound Art, improvised music
Fabian Weiss
PHOTOGRAPHY, VIDEO, Body, embodiment, optimal performance
Jakub Pesek
music production, Accessibility, art of sound, haptic
Ylva Gustavsson
FILM, Film-making, collaborative film making, Film Directing
Maia Navas
videoart, experimental film, Contemporary art
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Laureen Mahler
making, practice-led research, interdisciplinarity, origami tessellations, folding, materiality, entanglements, dynamic space, visuality of making, sustainability, perception