Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
DÁNIEL PÉTER BIRÓ
composition, music aesthetics, Music analysis, Musical Cultures, Music philosophy, computer music, musicology, Judaic Studies, Spinoza, philosophy
Nora Rinne
performance art, live art, artistic research, children, childhood, verbatim, imitation
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology