Vytautas Michelkevicius
post-photography, diagram, mapping, post-colonial, Media Arts, artistic research, artistic epistemology
Lucia D'Errico
music, post-structuralism, electronic music, video performance, graphic design, Deleuze, Derrida, performance, materiality, lacan, epistemology, sound, Speculative Realism, New Materialism, non-human, Algorithmic Composition, experimentation, machine
Thomas Ballhausen
text, Literature, Film studies, textualism, science fiction, philosophy
Katri Hirvonen-Nurmi
Cultural Institutions, cultural policy, Indigenous peoples, social anthropology, socially engaged art
Darja Popolitova
new media art, post-internet, digital art, digital craft, Media Arts, tactility, tactile visuality, screen, Video art, jewellery, jewellery art
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Jahrmann Margarete
game studies, artwork, artistic epistemology, digital art, neuroscience, activism
Lucia Koevoets
haptic, memory, Present Moment, Fine Arts, art education
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity