Researchers

Klas G Dykhoff
Sound as a narrative tool
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Carmen Raffaela Küster
circus, performance, design thinking, aerial acrobatics, Body Mind Soul, body & object relationship, nature, trees
Saman Samadi
composition, ethnomusicology, experimental music, persian music, poststructural theory, music notation, aesthetic of modernism and postmodernism, performance practice of new music, music and identity, conceptual history, continental philosophy, deleuze, complexity, linguistics, semiotics
Sara Gomez
Political Studies, visual art, choreography and performance, philosophy
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Anne Hytta
artistic research, traditional music, Practice-as-research
Monika Šimková
artistic research
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Léon Angel
materials, social media, sustainability, sustainable materials, video installation; performance; landscape; environment;, fashion practice research, fashion and textile art, fashion design
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality
Bamdad Khoshghadami Hosseini
musicology, Music Education, artistic research