Researchers

Anna LIndal
music
Yannis Kyriakides
Multimedia Composition, Media Scores, interdisciplinarity
Cheryl Akner Koler
haptic, aesthetic abstractions, creative collaboration, cross-disciplinary, intradisciplinary, applied aesthetics, sensitizing labs
Assi Karttunen
musical gesture, embodiment, historically informed performance, Performance studies, phenomenology
Hélène MUTTER
War, Conflict Zones, research-creation, world, Social science, geopolitics, visual art, education, PHOTOGRAPHY, archive, memory
daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Klas G Dykhoff
Sound as a narrative tool
Elsa Kosmack Vaara
time, artistic research, culinary arts, transdiciplinarity, prototyping, sustainability, participatory culture, participatory design
Lasse Emil Larsen Mouritzen
Collaborative Art
Arja Anneli Kastinen
19th century Karelian kantele improvisation, creativity process, Music Education, acoustics, spectrum analysis
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Yuya Takeda
media Literacy, philosophy of education, discourse studies, conspiracy theories
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Olya Zikrata
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism
Corrado Cerutti
pedal, composition process, Guitar
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio