Researchers

Elisabeth Laasonen Belgrano
performance philosophy, performative theology
Tero Nauha
non-philosophy, post-humanism, afrofuturism, schizoanalysis, New Materialism, heresy, visual cultures, capitalism
Karst de Jong
Music Theory, Improvisation, Harmony, Analysis, Composition, (collaborative) Creation
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Casper Schipper
sound, computer music, programming, research catalogue, composition, coding
Charlotte Østergaard
costumes, artistic research, materiality, performativity, cotume, theater, performance, Design Thinking, co-creation, collaboration, Site-specific, listening, listening with costume, hosting, Textile art, material thinking, hospitality, ethics, research ethics, Design research
Cha Blasco
Technology Innovation, New media, New Protocols, Decentralized Systems, Performance Philosophy, Music, Performance, Philosophy, Antroposophy, Ecosophy
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Katja Münker
artistic research, Choreography, performance, somatics, walking art, Feldenkrais method, environmental artistic research
Nhi Phuong Do
music aesthetics
Lorena Bañares
post-photography, posthumanism, research-creation
Γιωργος Αλουπας
Photography, cinematography
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening
Corrado Cerutti
pedal, composition process, Guitar
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology
Martin Pšenička
theatre, performance, history of perception