Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Paola Tine
Visual Anthropology, Semiotics, Social Anthropology, Phenomenology
Liesel Dom
performance; landscape; video; sound; installation, Information and communication, Socio-political activism, Internet, digital art, propaganda, philosophy as art, Documentary experimental, Myths, Belief
Alexandra Crouwers
ecology, Ecological Consciousness, science fiction, forest, digital art, digital cultures, speculative fiction, divination, technology, interspecies fictions, nonhuman perspective, experimental film, sound art, augmented reality, mixed reality, multispecies, natural science, digital space
Karen Werner
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Liza Lim
Music Composition, ecology, time, Anthropocene