Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Matthew Noone
Performance studies, Music, ethnomusicology, arts-based research, phenomenlogy
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Imani Rameses
Neuroaesthetics, phenomenlogy, emotional communication, Choreographic Research, consciousness, interdisciplinarity, philosophy, neuroscience, psychogeography
Lizzie Lloyd
art writing, documentation, Association, Resonances, embodied writing, socially engaged art, writing in practice
Petra van Aken
Performance in public space, Workshop, Embodied knowledge, Body based art, Body of the Performer, inter acctment, spatial perception and cognition
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Roman Štětina
ekphrasis, description, teaching artist, intermediality, sound, radio, moving image, media history
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Affrica Taylor
environmental humanities, Multispecies ethnography, ecological ethics, Anthropocene, more than human worlds, decolonising knowledge, ecofeminism