Michael Duch
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Scott McLaughlin
materiality, indeterminacy, spectral, failure, contingency, networks
Dora Isleifsdottir
Metadesign, Metamodernism, Design research, Design, Semiotics of type, typography, Branding, visual communication, visual language, asemic writing, design thinking, editorial design, book-making, visual identity, visual intelligence, publishing
Ylva Gustavsson
FILM, Film-making, collaborative film making, Film Directing
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy