Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Anders Eggen
publishing, research communication, open science
Michael Lazar
Broad - from science to art and the boundary between them
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Ali Mousavi
architecture, urban space, Soundart, practice-based research
Marica Totoquihuatzin
performance, art process, art practice, art theory, theory in performing, Gender studies, love
Illia Razumeiko
music theater, Composed Theatre, performance; re-enactment; landspace; site; environment;, performance; landscape; video; sound; installation
Julia Fromm
Factual and Fictional Narration, Resilience, Performance art
Rut Karin Zettergren
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Aðalheiður Sigursveinsdóttir
experimental systems, embodiment, Vibration, socially engaged art, feedback loops, feminism, oneness, performance, theatre, Dramaturgy, improvisation, existential philosophy, phenomenlogy, spiritual art, writing, staged absence, symbolism, typography, artheorypractice, artistic processes, Monodrama, the fragmentary, pattern, generative neural networks, Perfomance art, poetry
Berit Seidel
surveillance, collectivity, Decolonial methods, Storytelling, Everyday Objects