Mark Tatlow
early music performance, early opera, embodied research, the musical event
Jari Kauppinen
mediation, sound art, voice, voice and live electronics, presence, stage, vocality
Dion Star
process, process oriented practices, writing, material writing practices, film, trialogue, gestures, gesture, art, oulipo, flusser, pseudo writing
Martin P Eccles
walking, sound, movement, time, distance, landscape, place, Durational practice, embodiment, phenomenology, human scale, solitude, field recording, poetry, haiku, haibun, mesostic, replication, replicated walks, islands, imagined islands, chance processes, random, sound art, soundwalking
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Shanna Soh
Design research, design education, academic research, design, interdisciplinary, Dutch design, national identity, pluriverse, Decolonizing methodologies
Raisa Kilpeläinen
performing arts, performance design, scenography, lighting design, scenic art, light art, time and space, dramaturgy, art pedagogy, university pedagogy, art based research, artistic research