Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Linda H. Lien
visual communication, community, place, identity, belonging
Manuel Macía
coloniality of sense, curatorial, discursive practices, knowledge infrastructures, neoliberal episteme, ontological design, pharmacoloniality, political aesthetics, politics of artistic research
mari martin
performance, collaboration, artistic processes, environment, senses, interaction, encountering, urban space, artistic research, ecology, artistic dialogue, anti-racism
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Carlos Roos
metaphysics, global music, phenomenology, film, performance, critical theory
Pedro Alegria
algorithms, Algorithmic Art, stochastic, epistemology
Jakub Pesek
music production, Accessibility, art of sound, haptic
Xavier Mendik
Representations in cult and horror cinema, Images of terrorism in cult film traditions, Documentary film practices, Italian cinema and society, Culture and conflict in Canadian film
Shanna Soh
Design research, design education, academic research, design, fashion, textiles, interdisciplinary, Dutch design, transcultural design, transnational design, national identity, pluriverse, decolonising knowledge, Decolonizing methodologies
Inge Kengen
performance, belonging, identity, installation, artscience
Pinzón Lizarazo Oscar Daniel
Paper engeneering, Fanzine, Comic, ecology, circular economy, artistic research, art education, artist book, non-conventional supports, editing, migration, movement, Transposition, Free culture, Storytelling, Transduction, Translation, Transdiciplinary Colaboration, Transmediality, Graphic storytelling
Ana Pireva
paper, papermaking, Printmaking, Workshop, drawing research, Lithography, ink, Painting
Antonia Aitken
walking as practice, decolonisation, performance drawing, practice based research, drawing research, critical place theory