Annette Arlander
artistic research, performance as research, performing with plants, moving image, video, landscape, environment, ecology, new materialism, performance art
Johan van Kreij
computer music, improvisation, electroacoustic music, live electronics
Daniel Hug
sound, sound studies, Sound Design, Design research, participatory design
CAT HOPE
Animated Music Notation, Experimental music, composition as research, Music Performance
Freï von Fräähsen zu Lorenzburg
Performance, Performance art, Performance art theory and practice, Conceptual art, Monarchy, Ceremony, ritual, rituality, performativity, performative research, transmedia, anthropology, Queer, queer theory, Micronations, Micronationalism, Magick, Magic, Theology
Laisvie Andrea Ochoa Gaevska
dance, Choreography, multimedia, inclusive dance, feminist art, somatics, improvisation, video performance, video dance, Disability Studies
Corey Mwamba
music, improvised music, phenomenology, Practice-as-research, musicology
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
alejandra reyero
Photografy, visual art, visual culture, Indigenous People, Latin American art, decoloniality, writing;
MARIA DARMOY
performance design, scenography expanded, Choreography, stage design, video installation; performance; landscape; environment;
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Anne Hytta
artistic research, traditional music, Practice-as-research
Lisa Dillan
improvisation, improvisation exercises., improvisational scores, improvisational theatre, improvisation and real-time composition, improvisation psychology, listening, listening practices, Meditation, concentration, Flow, communication
Rut Karin Zettergren
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining