Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Nathan Riki Thomson
artistic research, artistic identity, interculturality, intercultural dialogue, transcultural, transdisciplinary collaboration, resonance
Joanna Warsza
Public sphere, politics, activism, performativity, curatorial, feminism, politics of memory, Eastern Europe
Katy Beinart
socially engaged art, practice-based research, artistic research, art education, art theory, art, artistic processes, Spatial Practice, place, memory, heritage, materiality, poetics
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Jocelyn Michel Janon
photography, visual storytelling, methodologies, media, design, fiction-based research, colonial memory, scientific fictionalism, cultural representation, practice-based research, Archival Research, decolonial critique, embodied practice, visual memory, ethics of image-making, historical recontextualisation, Artificial Intelligence (AI)
Thale Johannessen
textile, textile design, textile making, fashion, Green, crochet, beading, earth
Filip Novák
embodiment, Embodied reflection, dance, theatre, Applied Theatre, psychosomatics, pedagogy