Researchers

Chris Ziegler
Sarah Alford
Martin Nachbar
Yoojin Ko
Paulo de Assis
Performance, Composition, Philosophy, AI
Johan van Kreij
computer music, improvisation, electroacoustic music, live electronics
Paul Deneer
Yvonne Freckmann
Anna Kholina
Christian Strinning
Douglas Kahn
Sage Canellis
Photographic Re-narration, Ancestors, Healing Arts, Collage, Transgenerational Theory, Memory, Trauma, Shamanism, Psychology, Tarot
Charles Michalsen
Maryse Legault
Julie Rokseth
Martine Huvenne
Marko Ciciliani
audiovisual composition, transmedia composition, intermedia, Storytelling
Kjetil Traavik Møster
music, jazz, artistic research, interplay, electronic music, KMD_Grieg
Rachel Mills
Natasza Kurek
Johanna Lecklin
Michelle Teran
Emma WIlliams
historically informed performance, 19th century, violin, voice
Jonas test user
JULIE MARSH
Site-specific, space, moving image, site, site-integrity, representation, performance
Eli-Kirstin Eide
Architecture, materiality, spatial design, universal design, senses
Adriana Minu
Raoul Boesten
Théo Couillez
Tilen Lebar
Leonhard Grond
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
Francisca Skoogh
performance, western classical music, artistic research, psychology
Gonzalo H. Rodríguez
Menzo Kircz
Lene Gulberg
Linnéa Olsson
Ilmari Kortelainen
somatiikka, mediaatio, zen-buddhalsuus, affekti, muuntuneet tietoisuudentilat, tila, aika
Klara Waara
Aurora Del Rio
contamination, Rituals, Embodied knowledge, Perception and Consciousness, artistic reasearch
derek pigrum
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research
Sara Key
Semiotics, humour, attention, iconoclasm, acting, directing, philosophy of ethics, art cinema, poetic art
Estefanía Díaz Ramos
Soundart, Audiovisual, Cultural Studies, Sociology, creative writing, communication, community based art work
Mong Sum Leung
Vinicius Augusto Faria Motta
Ines Pahaut
Aurike Quintelier
Lars Kristian Røssell Takeuchi Kynde
Microtonality, Perception and Consciousness, synaesthesia, instrument design, Post-digital., composition, Music Notation, sense perception
Mirja Liisa Hiltunen
Andrea Guidi
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