Researchers
Marsha Bradfield 
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Elisabeth Schäfer 
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
Tanja Orning 
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Jacob Anderskov 
artistic research, artistic processes, music, improvisation, composition, performance, philosophy, aesthetics, methodology, phenomenology, Hermeneutics, post-structuralism, Noise, post-tonality, ensemble, interplay, embodied cognition, participation, litterature, genre theory, metaphor, arts education, science studies, Cultural Studies, sound
Alicia Champlin 
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Anouk Mirte Hoogendoorn 
spectrality, more-than-human, fabulation, sociality, collectivity, neurodiversity, queer theory, neuroqueerness, anarchive, artistic research, radical pedagogy, stones, textures, process philosophy, materiality of language
Ilmari Kortelainen 
somatiikka, mediaatio, zen-buddhalsuus, affekti, muuntuneet tietoisuudentilat, tila, aika
D.A. Calf 
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Joanna Staruch-Smolec 
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin