Hanna Järvinen
dance;, dance history, performance, re-enactment, reconstruction, re-imaginations, epistemology, Authorship, Foucault, power structures, canonicity, stardom
Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Mia Engberg
Silence, darkness, cinema, feminism, punk rock, buddhism
Emma WIlliams
historically informed performance, 19th century, violin, voice
Jed Wentz
Historically imagined performance practice, acting, gesture, declamation
Tamar Zhvania
artistic research, musicology, piano pedagogy, piano practice
Corey Mwamba
music, improvised music, phenomenology, Practice-as-research, musicology
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Maria Jonsson
archival practice, archival art practice, art theory, Film studies, Art history, photographic practice, forest, natural science
Kateřina Maňáková
renaissance music, Renaissance Polyphony, Lute, intabulation, vihuela, voice
Jorge Boehringer
Spatial Audio, temporality, listening, phenomenlogy, Sculpture, notation, prehistory, music, composition, sonification, performance, electroacoustic music, interactive art, Data Sonification, philosophy, improvisation, Chance, contingency, indeterminacy
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Alžběta Trojanová
performative walk, Non-Place, environmental art, land art, Site-specific;, non-site, singing