Esa Kirkkopelto
performance philosophy, performer training, post-structuralism, posthumanism, Contemporary performance, artistic research, methodology
Julian Klein
artistic mode, practice and theory of playing, mise en musique, neuroaesthetics, emotionology, sonification, historical investigation
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Maarten Vanden Eynde
Art, Archaeology, Geology, Science and Technology Studies, Science Fiction, Future Studies, colonization, colonial memory, natural resources, natural science, natural history museum, museology, technology, biomimicry, genetics, genealogy, genetic engineering
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Isa Bruijnen
art education, artistic research, visual art, paintings, creative process, Enjoyment, teaching artist, Becoming, thinking through making
Jessica Emsley
phenomenology, nonhuman, more-than-human, Not-knowing, walking