Researchers

Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Elisabeth Schäfer
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
Jim Harold
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Marko Uzunovski
contemporary music, electroacoustic music, electronic music, spatialisation, sound production, sound projection, Spatial Audio, spatial music, surround
Pauliina Laukkanen
dance pedagogy
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Anna Nygren
Language, Language of things, posthumanism, Literature, Poetic Research, horses, autism, materiality
Lars Kristian Røssell Takeuchi Kynde
Microtonality, Perception and Consciousness, synaesthesia, instrument design, Post-digital., composition, Music Notation, sense perception
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio