Tero Nauha
non-philosophy, post-humanism, afrofuturism, schizoanalysis, New Materialism, heresy, visual cultures, capitalism
Tim Boykett
exploratory practices, futures, mathematics, participation, boating, open processes, facilitation, cargo, physical narration
Hélène MUTTER
War, Conflict Zones, research-creation, world, Social science, geopolitics, visual art, education, PHOTOGRAPHY, archive, memory
Jonas Howden Sjøvaag
music, audio recording, DIGITAL IMAGING, digital art, drums, jazz, improvisation, artificial intelligence, songwriting, Lyrics
Sonam Chaturvedi
visual art, time, memory, memory-work, temporality, community based art work, Collaborative Space
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Dawn Woolley
consumer culture, feminism, self-portraiture, still life, marxism
Helen Felcey
ceramics, Craft, design, Health, well-being, Buddhism
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Qiong Zhang
performance; re-enactment; landspace; site; environment;, ecology, creative writing, surveillance, Choreography, performative practice
teresa luzio
performance; walking; visuality; performance documentation
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Costanza Julia Bani
ecology, Storytelling, immersive technologies, immersive documentary narrative, installation, documentary, distribution, filmmaking, eco-narratives, artistic research, vr, Multispecies storytelling, sensory ethnography
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation