Mike Croft
perception, artwriting, Painting, drawing research, language-based practice
Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Siv Lier
Design, Design research, critical design practice, adversarial design, discursive design, ecology
Danica Maier
Fine Arts, artistic research, textiles, drawing, music, installation, labour, repetition
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Eszter Mag
Participatory Art, puppetry, theatre, intuition
Aðalheiður Sigursveinsdóttir
experimental systems, embodiment, Vibration, socially engaged art, feedback loops, feminism, oneness, performance, theatre, Dramaturgy, improvisation, existential philosophy, phenomenlogy, spiritual art, writing, staged absence, symbolism, typography, artheorypractice, artistic processes, Monodrama, the fragmentary, pattern, generative neural networks, Perfomance art, poetry
Ali Williams
creative practice research, embodiment, cognitive science, mind, ceramics, movement, sound, interconnectedness, relationality, attention, transdiciplinarity, collaboration, creative process