Researchers
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Kate McCallum 
Art practice as research, linguistics, linguistic pragmatics, abstraction, mathematical thought, art and science, art and technology, artistic research, ethnography
Rikki Wolpowitz 
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Nareeporn Vachananda 
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Marisa Godoy 
dance, performance, generative practices, autoethnography, improvisation choreography, video annotation
Monica Clare van der Haagen-Wulff 
Postcolonial Studies, Critical Race Theory, Gender and Queer Studies, Migration, Intersectionality, Postcolonial/Decolonial Feminist Theories and Methodologies, Globalisation, Global Cities, Affect Theories, Performance Studies, Theories of Embodiement, Fictocritical Writing, Critical Heritage und Historical Memory Studies.
Britta Benno 
artwork, artistic research, drawing, Printmaking, hybrid media, hybrid drawing, extended techniques, worlding, ruinenlust, posthuman, landscape depicting, dystopic art
Alexander Lindman 
Acting for screen and social media, Acting, Acting on social media platforms, What is the actor's role in the age of social media, Mime acting, Stunt acting, physical theatre, The social media actor, Deneurotypicalize acting technique, Deneurotypicalize, neurodiversity, ADHD, adhd actor, Mime, Stunt, ADHD acting, Social media, social media actor, Social media Acting, Deneurotypicalized Acting, ART, Entertainment, PerspART, NewART, AutoART
Adrian Kleinlosen 
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Zornitsa Stoyanova 
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
Pedro Pablo Cámara Toldos 
contemporary music, interdisciplinary performance, saxophone, extended techniques, concert setting
