Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Nathan Jones
new media, glitch, distributed critique, media theory, literature, poetics
Nikolaus Eckhard
capitalocene, futures, materiality, collaboration, socio-ecological transformation, soil
Ulvi Haagensen
artistic research, autoethography, drawing, performance, sculpture, installation, the everyday, blurring
Beate Körner
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
René Silva
Artistic Research Music, Musical Composition, Contemporary Music, Barrel Organs, heritage engagement
Paola González-Vargas
performance, soundscape, sound narrative, aesthetics, Aesthetics and Theory of Arts, technology, Technology Culture, Artificial Intelligence (AI)
Inge Kengen
performance, belonging, identity, installation, artscience
Tobiáš Kolmačka
Archeology, Religious Studies, Ancient Greek Theatre, linguistics
Sabina Holzer
anthropocene, ecologies, more-than-human, intersectional feminism, materiality, Body based art, science fiction, poetry, community, dance