Cheryl Akner Koler
haptic, aesthetic abstractions, creative collaboration, cross-disciplinary, intradisciplinary, applied aesthetics, sensitizing labs
David Gorton
composition, artistic research, contemporary music, Early music, collaboration, Performance analysis, co-creation, experimentation, Practice Research, subjectivity
Hanns Holger Rutz
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Matthew Noone
Performance studies, Music, ethnomusicology, arts-based research, phenomenlogy
András Blazsek
Environment, Soundart, Soundscapes, media archeology, Sound Archeology, sound architecture, Data Sonification, Scupture
Mia Seppälä
public space, public art, accessibility; web images; alt text, performance; re-enacment; site; environment, constructions of public-ness, transcorporeal
Arnas Anskaitis
artistic research, diagram, experiment, publication, writing
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
J.R. Osborn
MediaArtHistories, Semiotics, graphic design, diagram, museum, VISUAL CULTURE