Researchers
Mike Croft 
perception, drawing, artwriting, Painting, autofiction, drawing research, language-based practice
Benedict Olk 
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Zubin Kanga 
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Martin Scheuregger 
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Benjamin Jenner 
generative constraint, practice-based research, navigation, sensory awarness, languaging, embodied blindfoldedness, visual deprioritisation
Marianne Baudouin Lie 
music, contemporary music, microtonal music, presence, performance, performing arts, embodiment, Entrepreneurship, improvisation, performer-composer collaboration
Marc Johnson 
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history
David Bello Arcos 
music in society, public space, public urban space, public sound installation, public art, Public sphere, Public History, nature culture, Social bond, interdisciplinarity, performance, non-human
