Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Iram Ghufran
Documentary experimental, Artistic reserach, Media Arts, Technology and Culture, science fiction, archive
Emma WIlliams
historically informed performance, 19th century, violin, voice
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Pavlos Kountouriotis
live art, Performance art, Pain, altered states of consciousness, Choreography, law, queer theory, continental philosophy, systemic art, surrender, philosophy, body in performance, practice-as-research
Jez Coram
Artistic Essaying, Essay Film, Digital Media, Digital Cultures, Capitalist and Climate Futures
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Karen Werner
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Olya Zikrata
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism