Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Aina Roca Mora
architecture, cinema, cinematography, time and space, scenography, ephemeral
Matthew Xie
early music performance, continuo, Lute, Lute song, Theory, performance practice
Mira Sanders
cartography, narrative, art, architecture, drawing research, Cinematism
Jorge Boehringer
Spatial Audio, temporality, listening, phenomenlogy, Sculpture, notation, prehistory, music, composition, sonification, performance, electroacoustic music, interactive art, Data Sonification, philosophy, improvisation, Chance, contingency, indeterminacy
Jordan Rowe
museums, walking, identity, nationalism, urban space, rural futurism, blackness
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
Hala Ali
Collaboration between Visual Arts and Other Discipline, Audience Engagement and Interaction;, noeuroscience and art