Michael Kahr
jazz, Music history, music theory, popular music, artistic research
Esa Kirkkopelto
performance philosophy, performer training, post-structuralism, posthumanism, Contemporary performance, artistic research, methodology
Emma WIlliams
historically informed performance, 19th century, violin, voice
Hannah Clarkson
narrativity, care, shelter, artistic research, Sculpture, poetry, empathy, Medical Humanities
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Ewa Łączkowska
Sociology, dance, Onto-epistemology, indigenous knowledge, STS, knowledge making, perception, somatic approach, arts-based research
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Berit Seidel
surveillance, collectivity, Decolonial methods, Storytelling, Everyday Objects