Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
CAT MARTINS
art education, Trans studies, queer theory, governmentality, post-colonial, post-structuralism, decolonize knowledge
Barbara Macek
poetics, biophilosophy, transdiciplinarity, interspecies relationships, poetry, medical history, medical humanities, autoimmunity, pain, existential philosophy, psychoanalysis, memory, nothingness, time
Vasco Alves
music, Music Education, Musical performance, music aesthetics, Music philosophy, Music analysis, music theory, Musical Cultures, Music editing, musical instruments, musical narrative, Musical Syntax, musical communication, musical expression, musical narration, musicality, musical and artistic development, musical literacy, musicology, music theater
Xenia Mura Fink
gaze, female gaze, politics of representation, figuration, drapery, queer feminism
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Kobe Van Cauwenberghe
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity