Researchers

Mike Croft
perception, drawing, artwriting, Painting, autofiction, drawing research, language-based practice
Julia Valle-Noronha
fashion practice, fashion practice research, creative pattern cutting
Amra Heco
audio-visual, philosophy, phenomenology, art, artistic research, aesthetics, multi-mode epistemological model, multimedia, multiple belonging, multidisciplinary, psychoanalysis, psychology of perception, Jung, gardening, diaspora, quantum field, water; performance; stone;, wind, writing, rhythm language, time, translation, truth, youth, Youth driven, universe, unfinished, unlearned insight, interview, improvisation, interpretation, interactive, orientalism, performance; re-enactment; landspace; site; environment;, participation, Lecture Performance, john cage, jazz, Journal for Artistic Research, holism, harmony, heritage, FILM, food, feminism, doctorate, DIY, sound, Zodiak, criticism, children, Contemporary art, visual art, voice and live electronics, visuals, VIDEO, VISUAL CULTURE, video performance, video installation; performance; landscape; environment;, breathing, new media art, morality
Scott McLaughlin
materiality, indeterminacy, spectral, failure, contingency, networks
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Ramon Parramon
art, social space, Peripheral Spaces and Voices
Mauricio Carrasco
artistic research, embodiment, performance, qualitative research methods, transdiciplinarity
Ivana Mancic
visual art, conflict, identity, PHOTOGRAPHY, doctoral research
Marielle Schuurman
artistic research, Care ethics, design, moral responsibility
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio