Lise Hovik
theatre for early years, theater installation, art for the very young, art education, artistic reasearch, musical communication, affect, affective pedagogics, Becoming, rhythm language, improvisation, Participatory Art, play, posthumanism, New Materialism
Eli Bø
Space, place, architecture and objects as narrative tools
Jacob Anderskov
artistic research, artistic processes, music, improvisation, composition, performance, philosophy, aesthetics, methodology, phenomenology, Hermeneutics, post-structuralism, Noise, post-tonality, ensemble, interplay, embodied cognition, participation, litterature, genre theory, metaphor, arts education, science studies, Cultural Studies, sound
Marko Uzunovski
contemporary music, electroacoustic music, electronic music, spatialisation, sound production, sound projection, Spatial Audio, spatial music, surround
Vasco Alves
music, Music Education, Musical performance, music aesthetics, Music philosophy, Music analysis, music theory, Musical Cultures, Music editing, musical instruments, musical narrative, Musical Syntax, musical communication, musical expression, musical narration, musicality, musical and artistic development, musical literacy, musicology, music theater
Imani Rameses
Neuroaesthetics, phenomenlogy, emotional communication, Choreographic Research, consciousness, interdisciplinarity, philosophy, neuroscience, psychogeography
Johannes Maria Schmit
Regie-Theater (Directors’ theater), Consent, Actor, Director, Postdramatic Theater // Transference, Regie-Theater, actor training, transference, psychoanalysis, consent
teresa luzio
performance; walking; visuality; performance documentation
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Marina Grzinic
necropolitics, colonial memory, aesthetics, technology, community, artistic research
rosinda casais
artistic practices, artistic research, art education, sharing, emergence, situated relations
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin