Researchers

Trond Lossius
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Josué Moreno Prieto
urban sonic space, generative art, Algorithmic Composition, urban space, Urban Acoustics, Intermedia, SITE-SPECIFIC ART
Emma WIlliams
historically informed performance, 19th century, violin, voice
Christina Stadlbauer
interspecies, urban, honeybees, biodiversity, transformation, ritual, kin tsugi, bacteria, Bio Kin Tsugi, mollusk, post qualitative research
Felipe Devincenzi
Music, Classical, Tango, Double Bass, Literature
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Ruthia Jenrbekova
material semiotics, ecology of practices, performance
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Inge Kengen
performance, belonging, identity, installation, artscience
Michael Walde
commodity, commodity fetishism, hospitality, work, emotional labour, feminism, Marx, Situationism, advertisement, spectacle, consumption
Célia Ferreira
educação através da arte, arte têxtil, artesanato, artivismo e património, educational action research, weaving, Craft, art education, artivism, heritage