Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Paola Villanueva
artistic research, art education, post-qualitative inquiry, drawing, art practice
Beate Körner
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Martí Ruiz i Carulla
sound art, Soundsculpture, acoustics, participation, DIY, socially engaged art, science and art
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Estefanía Díaz Ramos
Soundart, Audiovisual, Cultural Studies, Sociology, creative writing, communication, community based art work
Jocelyn Michel Janon
photography, visual storytelling, methodologies, media, design, fiction-based research, colonial memory, scientific fictionalism, cultural representation, practice-based research, Archival Research, decolonial critique, embodied practice, visual memory, ethics of image-making, historical recontextualisation, Artificial Intelligence (AI)
Haoqing Yu
New media, Visual Studies, Cultural Studies, drawing, Painting, AI ART, digital art, Archival Research