Kent G R Olofsson
Composition, Dramaturgy, Composed theatre, contemporary theatre, performing arts, electroacoustic music, Sound Spatialisation, scenography
walmeri ribeiro
performance as research; proceedings; documentation; practice as research;, ecology of practices
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Harry Matthews
composition, artistic research, Noise, Soundscapes, field recording, trespass
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Emma Richey
animation, musicology, phenomenology, algorithmic processes
Isa Bruijnen
art education, artistic research, visual art, paintings, creative process, Enjoyment, teaching artist, Becoming, thinking through making
Diana Ferro
poetry, improvisational scores, collective research in arts, Writing as artistic research, pedagogical research, self-publishing, painting-as-discourse, material based art
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory