Ji Youn Kang
sound art, electroacoustic music, electronic music, experiential composition
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Tyler Payne
feminism, art, feminist art, carnal sociology, feminist epistemology, video art, performance art, marxism, parasocial interaction theory, social media, advertising, gender performativity, social construction theory, intersectionality, instagram, intersectional feminism, commodity fetishizm
Michel Roth
music, games, indeterminacy, collaborative processes, interactive performance, artistic research, organology, music theory, sonification, transdiciplinarity, field recording, acoustic ecology, Actor network theory, soundscape studies, composition
Niels Lyhne Løkkegaard
plasma, sedimentation, saturation, softening, decolonial, more-than-human, instrumentalization, folded time, occultism, potentiality, hypering, surrection
Freï von Fräähsen zu Lorenzburg
Performance, Performance art, Performance art theory and practice, Conceptual art, Monarchy, Ceremony, ritual, rituality, performativity, performative research, transmedia, anthropology, Queer, queer theory, Micronations, Micronationalism, Magick, Magic, Theology
Catherine Cartwright
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Ryan Mason
choreography and performance, Choreographic Research, choreographic thinking
Claus Schöning
representational theories, life sciences, policy design, non-human, Nonrepresentational Theory
Tony Rabesca
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality