Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
craig wells
Spatial Audio, electroacoustic music, synthesis, materialism, phenomenlogy, field recording, fiction, Speculative Realism, Process Philosophy
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Shane Finan
place, technology, interactive, Painting, transience, ephemeral, solastalgia, interactive installation, interactive art, digital art, Language
Helene Berg
loops, glitches, experimental film, augmented reality, View-Master, kung-fu
Gareth Somers
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Greg Bruce
artistic research, electroacoustic music, improvisation, classical performance practice, saxophone, Augmented Instruments, analogue electronics, analogue vs digital, research-creation
Sara Key
Semiotics, humour, attention, iconoclasm, acting, directing, philosophy of ethics, art cinema, poetic art
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment