Johannes Kretz
Transculturality, composition, electroacoustic music, electronic music, Live-electronics, ethnomusicology, philosophy, philosophy as art, biology, mathematics, Physics
Bjarni Gunnarsson
Algorithmic Composition, computer music, electroacoustic music, programming language
Lisa Salamandra
figurative art, raw meat, taboos, nude, art, collage, artwork
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Sara Gomez
Political Studies, visual art, choreography and performance, philosophy
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Anne Hytta
artistic research, traditional music, Practice-as-research
Dianne Reid
screendance, dance improvisation, site specific performance, contemporary dance, interactive performance
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio