Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Luisa Greenfield
analog film, performance; landscape; video; sound; installation, practice-based research, artistic research, Essay Film
Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Leena Kela
performance art, science, collaboration, language, materiality, corporeality
DÁNIEL PÉTER BIRÓ
composition, music aesthetics, Music analysis, Musical Cultures, Music philosophy, computer music, musicology, Judaic Studies, Spinoza, philosophy
András Blazsek
Environment, Soundart, Soundscapes, media archeology, Sound Archeology, sound architecture, Data Sonification, Scupture
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Ryan Mason
choreography and performance, Choreographic Research, choreographic thinking
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Sharin Foo
immersive performance, Spatial Audio, spatialization, music
Melissa Ryke
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Tomáš Moravec
urban space, intervention, transformation, residuals, heterotopia, empty space, public space, mataphore, terrain vague
Jan Kierepka
fashion design, nature, modernism, culture, artistic processes, Fashion History, hip-hop artists; poets, music aesthetics, philosophy as art
Fey (Faith) Harkey
Jungian Psychology, Authorship, Phenomenology, Artmaking, Fiction, Gifted/Talented