Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Rikki Wolpowitz
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Emma WIlliams
historically informed performance, 19th century, violin, voice
Simon Gilbertson
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Anouk Mirte Hoogendoorn
spectrality, more-than-human, fabulation, sociality, collectivity, neurodiversity, queer theory, neuroqueerness, anarchive, artistic research, radical pedagogy, stones, textures, process philosophy, materiality of language
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin