Researchers

Marko Ciciliani
audiovisual composition, transmedia composition, intermedia, Storytelling
Hedvig Jalhed
opera, music drama, dramaturgy, interaction, immersion, voice, vocality, singing
Jacob Anderskov
artistic research, artistic processes, music, improvisation, composition, performance, philosophy, aesthetics, methodology, phenomenology, Hermeneutics, post-structuralism, Noise, post-tonality, ensemble, interplay, embodied cognition, participation, litterature, genre theory, metaphor, arts education, science studies, Cultural Studies, sound
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Felipe Devincenzi
Music, Classical, Tango, Double Bass, Literature
Darja Popolitova
new media art, post-internet, digital art, digital craft, Media Arts, tactility, tactile visuality, screen, Video art, jewellery, jewellery art
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Helena Marinho
performance research
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
pavleheidler
Gender studies, dance;, dancefilm, performance, performativity
Emilie Löfgren
documentary, filmmaking, radio, art, grief
Mauricio Carrasco
artistic research, embodiment, performance, qualitative research methods, transdiciplinarity
Marc Johnson
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history