Luc Döbereiner
music, aesthetics, technology, sound art, materiality, composition
Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Mauricio Carrasco
artistic research, embodiment, performance, qualitative research methods, transdiciplinarity
Alexander Lindman
Acting for screen and social media, Acting, Acting on social media platforms, What is the actor's role in the age of social media, Mime acting, Stunt acting, physical theatre, The social media actor, Deneurotypicalize acting technique, Deneurotypicalize, neurodiversity, ADHD, adhd actor, Mime, Stunt, ADHD acting, Social media, social media actor, Social media Acting, Deneurotypicalized Acting, ART, Entertainment, PerspART, NewART, AutoART
Ryan Evans
Participatory Art, Socially Engaged Art, Community Art, Sound Art, Disability Aesthetics
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation