Hanns Holger Rutz
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Eli Bø
Space, place, architecture and objects as narrative tools
Kersti Grunditz Brennan
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
Doris Ingrisch
gender and cultural studies, dialogue between art & science, history of science, arts based and experimental research methods
Tom Milnes
error, media archaeology, 3D scanning, artistic research, online cultures, post-digital, post-internet
Peter Freund
expanded practice, experimental film, oulipo, psychoanalysis, digital performance, topology, historical memory, image-text, algorithms
Nathalie S. Fari
site-specific performance, performance documentation, video performance, performed photography, filmmaking, embodiment, agency
Xenia Mura Fink
gaze, female gaze, politics of representation, political art, figuration
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Marc Johnson
animal studies, archival imagination, archival film practice, critical archival studies, critical theory, colonial archives, European heritage, expressions of marginalized identities, film-makers in the archives, film studies, historical consciousness, historicity, historiography, oral history, photographic records, sampling, visual literacy, archival activism, archival amnesty, counter-narratives archives, contested narratives, contre-histoire, liberatory archives, reparative archive
Jesse Todd
Creative Writing, Performative Writing, Theatre, Theatre play, play devising, playwriting, ruins, Wanderer, travel, anthropoetics, Mythology, sound art, Storytelling
Könemann Flora
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition