Sónia Pina
Intermedia, intermediality, Fluxus, New-Media, Intersemiotics, communication, expanded-arts, visual ontologies
Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Udo Maria Fon
perception, cognition, field of perception, rooms of perception, information rush, digitality, poetry, data entity, dada, dataism, social entropy, social resonance, metacognition
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Matthew Galea
Sculpture, Cross Media Systems, Mixed Reality Systems, Sound Art, Sound Sculpture, Social Sculpture, Hybrid Interfaces and Interaction Modalities, Interactive Art Practice, Artificial Consciousness, Human Computer Interaction, Machine Awareness, Alternative Platforms and Archives., Tattoo
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Susana Castro Gil
Transcreation, Contemporary Colombian Art, contemporary music, multimedia, virtuoso
Qiong Zhang
performance; re-enactment; landspace; site; environment;, ecology, creative writing, surveillance, Choreography, performative practice
Fu Tian
rap music, new music, contemporary music
Thilde Dalager
experimental animation., authorial illustration, abjection, interdisciplinarity, the gaze, Julia Kristeva
Michal Lovecky
digital worlds, metaverse, XR, virtual reality, transdiciplinarity, co-design, co-creation, ocean, immersive technologies, Immersion, marine science, collective action research, impact
Moch Hasrul Indrabakti
pedagogy, Pedagogy of change, Pedagogical materials; educational material; play, Media Arts, methodology, methods, collective research in arts, design=art=research, research proposal, Recycling materials, plastic, Contemporary art, teaching artist, technology, teaching method