Jeannette Ginslov
Screendance, Embodied Dance Practice, Dance-tech practice, Embodied technologies, Embodied Materiality
Anne Marthe Dyvi
Media Arts, Video art, moving images, Colour, time based media, time, art, technology, History, politics, poetry
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Marko Uzunovski
contemporary music, electroacoustic music, electronic music, spatialisation, sound production, sound projection, Spatial Audio, spatial music, surround
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Martyna Kosecka
Music analysis, composition, composition technique, composition process, microtonal music, Spectral music, sonoristic music, electroacoustic music, electronic composition, new opera, experimental voice
Jorge Boehringer
Spatial Audio, temporality, listening, phenomenlogy, Sculpture, notation, prehistory, music, composition, sonification, performance, electroacoustic music, interactive art, Data Sonification, philosophy, improvisation, Chance, contingency, indeterminacy
Ryan Evans
Participatory Art, Socially Engaged Art, Community Art, Sound Art, Disability Aesthetics
Sebastian Ruiz Bartilson
insurrectionary movements, Pornography, homoart, hiv, Not-knowing, swedish indocrination, ritualisation, psicomagic, human potential, meditation, somatics, somatic approaches, choreography and performance, choreographic thinking, antiethics, techno, cuerpos disruptivos, disidencias sexuales