Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Rafal Hanzl
filmmaking, digital art, creativity, creativity process, film development, pre-production, previsualization, virtual reality, visual art, VFX, visuals, visual effects, storyline, emotional communication, compositing, HDRI, new media art, new technologies, postmodernism, film, contemporary media, conceptual art, digital imaging, storytelling, new media, computer-generated imagery
andy lock
Silence, performance, absence, site-writing, institutional silence, the body, situated writing, familial silence, artistic writing, embodied, site, radio
Martin P Eccles
walking, sound, movement, time, distance, landscape, place, Durational practice, embodiment, phenomenology, human scale, solitude, field recording, poetry, haiku, haibun, mesostic, replication, replicated walks, islands, imagined islands, chance processes, random, sound art, soundwalking
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Sara Hulkkonen
Craft, glass, practice-led research, New Materialism, sociomateriality
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism
Hala Ali
Collaboration between Visual Arts and Other Discipline, Audience Engagement and Interaction;, noeuroscience and art
Berit Seidel
surveillance, collectivity, Decolonial methods, Storytelling, Everyday Objects