Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Louise Walleneit
artwork, artistic research, art practice, art education, aesthetics, Body based art, bodytalk, body language, digital art, participatory arts, intervention, textile, McLuhan, bodyextension, Hartmut Rosa, Birgit Schneider, performance, Derrida, Franz Erhard Walter, Rebecca Horn, Mona Hatoum
pavleheidler
Gender studies, dance;, dancefilm, performance, performativity
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Gareth Osborne
practice-based research, immersive arts, immersive learning, education, immersive theatre, Digital Storytelling, Embodied knowledge, artificial intelligence, participatory design, collaborative creativity, cultural spaces, children's participation, children's literature, artistic research, creative writing
Jehanne Paternostre
Contemporary art, drawing, History, Archeology, memory, monument, trace, restoration, multidisciplinary, in situ experience