Researchers

Trond Lossius
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Geetanjali Sachdev
Pedagogy, crafts., art, design, plants
Alex Nowitz
contemporary vocal performance art, voice, extended practice, improvisation and real-time composition, voice and live electronics, composition, composer-performer, politics of voice, philosophy of voice
Terhi Marttila
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Austeja Platukyte
Bioart, biodesign, materials, ecology, Climate Change, Anthropocene, Biodegradable objects, material futures, circular design, organic materials, living materials, 3d bioprinting, grown materials, hybrid materials, material design, living design objects
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Yuya Takeda
media Literacy, philosophy of education, discourse studies, conspiracy theories
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality