Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Vidmina Stasiulyte
experimental aesthetics, sound embodiment, fashion alternatives, boundary artefacts, inclusion
Charlotta Ruth
repetition, liveness, documentation, ludic structures, choreography, participation, collaboration
Corey Mwamba
music, improvised music, phenomenology, Practice-as-research, musicology
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
Olivia Rowland
Language, drawing, anxiety, hysteria, poetry, animation, feminist epistemology, experimental writing, autoethnography, Speaking, articulation, the gaze, feminism
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Polly Hember
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Uddipana Das
narrative, Storytelling, choreography and performance, dance improvisation, artistic research
Tuulia Soininen
dance, Choreography, feminism, sexuality, violence, women artists
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Nicola Visser
Contemplative Dance Practice, Authentic Movement, Witnessing, Dance and Movement Improvisation, Thinking at the Edge, minor gesture, decolonial delinking, transformational infrastructure, community dance practice, eye practices