Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Tove Dahlberg
opera performance, gender, agency, performance norms
Paul Vickers
Sonification, auditory display, aesthetic experience, aesthetics of sound, aesthetics of sonification
Nikolaus Eckhard
capitalocene, futures, materiality, collaboration, socio-ecological transformation, soil
Imani Rameses
Neuroaesthetics, phenomenlogy, emotional communication, Choreographic Research, consciousness, interdisciplinarity, philosophy, neuroscience, psychogeography
Henrik Stensli
engineering, technology, design, CAD, 3D models, modeling and simulation
Marc Johnson
animal studies, archival imagination, archival film practice, critical archival studies, critical theory, colonial archives, European heritage, expressions of marginalized identities, film-makers in the archives, film studies, historical consciousness, historicity, historiography, oral history, photographic records, sampling, visual literacy, archival activism, archival amnesty, counter-narratives archives, contested narratives, contre-histoire, liberatory archives, reparative archive
Alexander Lindman
Acting for screen and social media, Acting, Acting on social media platforms, What is the actor's role in the age of social media, Mime acting, Stunt acting, physical theatre, The social media actor, Deneurotypicalize acting technique, Deneurotypicalize, neurodiversity, ADHD, adhd actor, Mime, Stunt, ADHD acting, Social media, social media actor, Social media Acting, Deneurotypicalized Acting, ART, Entertainment, PerspART, NewART, AutoART
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Marco Döttlinger
Media Arts, Experimental music, Sound Art, composition, computer music, machine learning, improvisation, Human-machine-Interaction, speculative materialism