Researchers

Juliet MacDonald
Martin Prchal
Bernt Isak Wærstad
Kirsten Reese
Marika Orenius
Suzanne Konings
Mieke van Dael
Marielle Heidekamp
Alex Kolassa
Martine Huvenne
Johanna Drucker
Wesley Troeger
Music Perception and Cognition, Dramaturgy
Tove Dahlberg
opera performance, gender, agency, performance norms
Pablo Rodriguez Gonzalez
Brian House
Hannah Drayson
Raúl Díaz
Francisca Prestes Branco Gouveia
Lars Anton Skoglund
Margarida Dias
arts education, identity, decolonial, antidiscriminatory, feminism
Sara Molina Castellote
Kornelia Dzikowska
Emilie Löfgren
documentary, filmmaking, radio, art, grief
Candela Mier-Terán
Philip Lüschen
Ivana Mancic
visual art, conflict, identity, PHOTOGRAPHY, doctoral research
astrid andersson ahlbom
Kateřina Maňáková
renaissance music, Renaissance Polyphony, Lute, intabulation, vihuela, voice
Rui Braga Simões
Beatrice Milanese
Benoît Brousseau
Photographic Re-narration, . mort.
Maarten Hendrik Jan Bekhuis
Pamela Marjan Bartar
Duarte Antäo
James Patrick Cunningham
Benedicte Dahm
FEEDBACK TRAINING BACKPULVER
Elke Blomme
Nuria Díaz-Tejeiro García
Evy Raes
Dimitris Gisdakis
Michelle Ohigginst Heilmann
Frank Abbott
Carl-Mikael Björk
performativity, queerness, narratives, posthumanism, post-qualitative inquiry, PHOTOGRAPHY, Early childhood education
Dolunay Pircioğlu
Urška Medved
Marina Abrão Moraes Corrêa
Urban Agriculture, Participatory Design, Sustainability, Biophilia, Phytoremediation, Common Places
Luca Carlevarino
Rut Rosner
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory
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