Tim Boykett
exploratory practices, futures, mathematics, participation, boating, open processes, facilitation, cargo, physical narration
Ilya Ziblat Shay
improvisation, free improvisation, composition, live electronics
Ji Youn Kang
sound art, electroacoustic music, electronic music, experiential composition
Karen Schiff
Agnes Martin, Pablo Picasso (early career), artistic research, word and image, studio practice
Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
Alex Hale
art, Archaeology, landscape, graffiti, inscription, practice-based, contemporary archaeology
Jessica Emsley
phenomenology, nonhuman, more-than-human, Not-knowing, walking
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
Heper Sayar
Artificial Intelligence (AI), non-human, Techno Arts, psychology of perception, Visual Perception, Human-machine-Interaction