Researchers

Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Yann Coppier
Sound art, Absurd sounds, Poetry, Politics, Meaning, Dramaturgy, Poetics
Jakub Pesek
music production, Accessibility, art of sound, haptic
Saman Samadi
composition, ethnomusicology, experimental music, persian music, poststructural theory, music notation, aesthetic of modernism and postmodernism, performance practice of new music, music and identity, conceptual history, continental philosophy, deleuze, complexity, linguistics, semiotics
Martyna Kosecka
Music analysis, composition, composition technique, composition process, microtonal music, Spectral music, sonoristic music, electroacoustic music, electronic composition, new opera, experimental voice
Jasmin Schaitl
performance, visual art, participatory arts, memory, haptics, installation
Anthony JOHN THWAITES
Historically Informed Performance Practice, Brahms, British Chamber Music
Jonathan LARCHER
Visual Anthropology, media archeology, Sound, archives
Magali Sarah Roxane Speicher
music, music aesthetics, Musical Cultures, Music philosophy, Surrealism, Fiction/fictioning, dystopia
Olivia Penrose Punnett
alternative knowledge, TechnologyCulture, feminism, intuition, female gaze, magical thinking, Decolonizing methodologies