Julian Klein
artistic mode, practice and theory of playing, mise en musique, neuroaesthetics, emotionology, sonification, historical investigation
Marsha Bradfield
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Michel Roth
music, games, indeterminacy, collaborative processes, interactive performance, artistic research, organology, music theory, sonification, transdiciplinarity, field recording, acoustic ecology, Actor network theory, soundscape studies, composition
Eleni-Ira Panourgia
Sculpture, sound, sound art, materials, Materials of sound, practice-based research, Practice-as-research, Performance art, Installation Art, interactive art, interdisciplinarity
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Clara Marchana
Sacred, ritual, dance, Choreography, artistic reasearch, dialogue, fragility
Liv Kristin Holmberg
music, music aesthetics, music theater, Performance art, Theology, philosophy, ritual, ritual art, crossdisiplinary, Norwegian Artistic Research Programme, utopia, sound art, public art, Religion
Lenka Vesela
Feminist Technoscience, Queer Ecologies, Synthetic Bodies, Synthetic Knowledges, Cyborg Becoming, Artistic Research, Anthropocene Feminisms, Anti-Toxic Action, Posthuman Feminisms, Material Feminisms
Kobe Van Cauwenberghe
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme