Mark Tatlow
early music performance, early opera, embodied research, the musical event
Daniel Hug
sound, sound studies, Sound Design, Design research, participatory design
Jari Kauppinen
mediation, sound art, voice, voice and live electronics, presence, stage, vocality
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Marion Reuter
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Catherine Cartwright
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios