Researchers
Eugene A. Kim 
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Electa Behrens 
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Kersti Grunditz Brennan 
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
Freï von Fräähsen zu Lorenzburg 
Performance, Performance art, Performance art theory and practice, Conceptual art, Monarchy, Ceremony, ritual, rituality, performativity, performative research, transmedia, anthropology, Queer, queer theory, Micronations, Micronationalism, Magick, Magic, Theology
Doris Ingrisch 
gender and cultural studies, dialogue between art & science, history of science, arts based and experimental research methods
David Rych 
migration, political aesthetics, politics of memory, political film, Anthropocene, migrant aesthetic, documentary, Documentary experimental, documentary film, document theory, Documentary storytelling, aesthetic journalism, Media Arts, media archeology
Merja Ryöppy 
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Nikolaus Eckhard
capitalocene, futures, materiality, collaboration, socio-ecological transformation, soil
Britta Benno 
artwork, artistic research, drawing, Printmaking, hybrid media, hybrid drawing, extended techniques, worlding, ruinenlust, posthuman, landscape depicting, dystopic art
Susana Castro Gil 
Transcreation, Contemporary Colombian Art, contemporary music, multimedia, virtuoso
Nayeli Vazquez Bertely 
choreography and performance, dance, choreographic thinking, Dance education, embodiment
Samuel Penderbayne 
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
FRANCO RIPA DI MEANA 
performance, Technology Innovation, multimedia, transdiciplinarity, Science and Art collaborations, performativity, community, userinvolvment, User Experience
