Trond Lossius
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
David Gorton
composition, artistic research, contemporary music, Early music, collaboration, Performance analysis, co-creation, experimentation, Practice Research, subjectivity
Yvon Bonenfant
voice; extended voice; live art; expanded dramaturgies; installation; extended practices; queerdom
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Sonam Chaturvedi
visual art, time, memory, memory-work, temporality, community based art work, Collaborative Space
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Marion Reuter
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Shanna Soh
Design research, design education, academic research, design, interdisciplinary, Dutch design, national identity, pluriverse, Decolonizing methodologies
Raf Brouns
Music Education, music theory, Musical Cultures