Marko Uzunovski
contemporary music, electroacoustic music, electronic music, spatialisation, sound production, sound projection, Spatial Audio, spatial music, surround
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Francisco Beltrame Trento
neurodiversity, queer theory, Film-making, post-qualitative inquiry, neuroqueerness, artistic research, anarchive, research-creation, kinship
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Helga Schmid
Time, Chronobiology, Sociology, Psychology, performance, design=art=research
Polly Hember
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Chiara Mu
performance art, visual art, intersectionality, Memory culture, embodied methodology, embodiment, risk, Care ethics, relational aesthetics
Michael Walde
commodity, commodity fetishism, hospitality, work, emotional labour, feminism, Marx, Situationism, advertisement, spectacle, consumption
Sally Emke
fear, craft, cuteness, humor, comics, judaism