Katrina Brown
choreography, drawing, documentation, contemporary arts, hybrid practice, horizontality, artistic research
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Tove Dahlberg
opera performance, gender, agency, performance norms
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Clara Marchana
Sacred, ritual, dance, Choreography, artistic reasearch, dialogue, fragility
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Charles Baumstark
composition, composition process, composition tools, composition technique
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance
Sabina Holzer
anthropocene, ecologies, more-than-human, intersectional feminism, materiality, Body based art, science fiction, poetry, community, dance
Annika Borg
visuell kunst, konseptkunst, seriell kunst, lydkunst, tid, terninger, tall, tilfeldigheter, transformasjoner, tegn, regler, systemer, kontinuitet, forløp, endring, utvikling, variasjon
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios
Samar Zureik
Type Design, typography, graphic design, calligraphy, arabic