Sander Hölsgens
Phenomenology, Visual arts, architecture, Film-making, documentary film, activism
Avery Gosfield
Music, earlymusic, Early music, Early Music research, early music performance, early music pedagogy, Medieval music, renaissance music, Jewish music, recorder, Jewish studies, poetry, Early modern poetry, musicology, Music editing, artistic research, transcultural, traditional music, Italian poetry
Tom Milnes
error, media archaeology, 3D scanning, artistic research, online cultures, post-digital, post-internet
JULIE MARSH
Site-specific, space, moving image, site, site-integrity, representation, performance
Fabian Weiss
PHOTOGRAPHY, VIDEO, Body, embodiment, optimal performance
Eka Chabashvili
music, composition, Contemporary art, genetics, Physics, land art, piano, experimental, audio-visual, film music, fine art, ancient cultures, ecomusicology
Mia Seppälä
public space, public art, accessibility; web images; alt text, performance; re-enacment; site; environment, constructions of public-ness, transcorporeal
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Benjamin Jenner
generative constraint, practice-based research, navigation, sensory awarness, languaging, embodied blindfoldedness, visual deprioritisation
Eduardo Gaspar Polo Baader
Early music, crossmodal correspondences, new music, contemporary music, traverso, french baroque, interdisciplinarity, transdiciplinarity
Olof Misgeld
music, folk music, dance, improvisation, traditional music, tradition, music theory, Music analysis
Chiara Mu
performance art, visual art, intersectionality, Memory culture, embodied methodology, embodiment, risk, Care ethics, relational aesthetics