Michael Duch
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Carlos Roos
metaphysics, global music, phenomenology, film, performance, critical theory
David Rych
migration, political aesthetics, politics of memory, political film, Anthropocene, migrant aesthetic, documentary, Documentary experimental, documentary film, document theory, Documentary storytelling, aesthetic journalism, Media Arts, media archeology
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Qiong Zhang
performance; re-enactment; landspace; site; environment;, ecology, creative writing, surveillance, Choreography, performative practice
Maria Peres
ethnomusicology, music, feminism, art, ethics, humanitarian response, heritage, education, community, interculturality
Mari Koppanen
design, Design research, Bioart, furniture design, fashion design, fashion and textile art, textile design, Textiles, artistic research
Andy Hoff
Climate Activism, arts-based research, posthumanism, Media Arts, speculative fiction, transmedia, Visual Culture, graphic novel, Practice-as-research
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy