Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
CAT HOPE
Animated Music Notation, Experimental music, composition as research, Music Performance
Hedvig Jalhed
opera, music drama, dramaturgy, interaction, immersion, voice, vocality, singing
Joshua Hale
creativity, arts-based research, interdisciplinarity, design, visual art, hybridity, art and environment, human centered design
Jordan Sand
double bass, improvisation, composition, process-based, nomadism, breathing, voice, organ, hymn, violin, collaborative processes, penguins, string instruments
Helga Schmid
Time, Chronobiology, Sociology, Psychology, performance, design=art=research
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
FRANCO RIPA DI MEANA
performance, Technology Innovation, multimedia, transdiciplinarity, Science and Art collaborations, performativity, community, userinvolvment, User Experience
Affrica Taylor
environmental humanities, Multispecies ethnography, ecological ethics, Anthropocene, more than human worlds, decolonising knowledge, ecofeminism